When I grew up in the ’70s I thought you had to take drugs. It was almost like I didn’t think you had a choice.
AIMEE MANNI suppose I should be happy to be misread; better be that than some of the other things I have become.
More Aimee Mann Quotes
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Nightly you retrace your steps again to return to the scene of the crime. It’s uncanny how you hover in the air of the wreckage that you left behind.
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Clearly in this business you have to contend with a lot of that.
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But I can’t confront the doubts I have. I can’t admit that maybe the past was bad, and so, for the sake of momentum I’m condemning the future to death so it can match the past.
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Better take the keys and drive forever. Staying won’t put these futures back together.
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I think, to be happy is to be interested and engaged.
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They want to sign distribution deals with labels, who have lots of product, lots of artists.
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There’s a lot of music that sounds like it’s literally computer-generated, totally divorced from a guy sitting down at an instrument.
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In the ’70s, everybody thought drugs were just good times. People didn’t really know about drug addiction, or that such a thing existed.
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If you’re an artist trying to put out your own record on your own label, it’s hard to get a distribution deal because no one wants to sign a deal with one entity.
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Telling what you feel, trying to talk about what’s important to you, does not make you weaker.
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And if that’s your sole motivation, it’s going to reflect that narcissistic greed and you’re going to hear it in the music.
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One of the things I’ve really gotten past in the last couple of years is the idea of being made uncomfortable by the way things appear, rather than how things are.
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For me, there’s a fine line between telling a story that’s fictional with lots of details and then removing yourself too much from it, so it’s bloodless, a little too fictional.
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The knock-out punch is always the one you never see coming.
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I have a 6-year-old, and his thing is to turn on Radio Disney in the car, and I get such an allergic reaction to listening to that music and the context into which it falls. I’m really working on him about that.
AIMEE MANN