I grew up in a desert, which has no kind of imagination.
AI WEIWEIThe deadly weapon against totalitarian society is openness – doing everything very openly on the Internet, letting people know every detail, any little development. Once it is out there, everybody can make their own judgement.
More Ai Weiwei Quotes
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It’s like the mountains, the ocean and the rivers. It has its own geological forms. Societies cannot be flat. But during change, human rights, human dignity and free speech have to be protected. Otherwise, we’ll be going backward.
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We should use this public sphere and redefine – beyond China’s borders – what a government is allowed to do, where its powers end and where the realm of a citizen’s privacy begins.
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Everyone thinks the Chinese government selected me. Never ever. I was selected by Herzog and de Meuron.
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I have people working together, doing different things: architecture, art installation, photography, publishing, and curatorial works and design.
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There’s no single artwork I even want to mention or that I can even really think about it to have any feeling, to be proud of it.
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The art always wins. Anything can happen to me, but the art will stay.
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I think Donald Trump should cool down a little bit. To pay more attention to the history. To really understand what U.S.’s value is about. I think, as a president, those things you always have to ask.
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But personally, I don’t think my work and my understanding of art is so much related to being Chinese, but the character of that. Maybe it’s beyond my own consciousness.
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Once you’ve tasted freedom, it stays in your heart and no one can take it. Then, you can be more powerful than a whole country.
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Nationality and borders are barriers to our intelligence, to our imagination and to all kinds of possibilities.
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Had I to create a name for these times, I’d say it is the age of craziness
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Even though everybody who looked at me would call me a Chinese artist, that’s the 1980s. New York in the ’80s was not so interesting.
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After I came back [to China], there was still a long period of time when I felt I had nothing to do.
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Paintings can be painted with the left hand, the right hand, someone else’s hand, or many people’s hands. The scale of production is irrelevant to its content.
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At the moment about 350,000 students return to China from abroad each year – 350,000 young and educated people. I know about them because they know me and often ask me in the street if they can take a selfie with me.
AI WEIWEI






