Chinese government is very clearly losing power in every aspect, but trying to fix up all the problems or potential problems.
AI WEIWEITo call yourself a Chinese artist or woman artist or African artist reflects a certain kind of condition. To me, that is not necessary.
More Ai Weiwei Quotes
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That’s why I always question this sense. The feeling of home really requires a lot of trust. It requires you to identify with it, which I always find myself very contradictory to.
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It’s not really an ideology, but a method of control. But China’s problems are not just China’s problems – they’re human problems. Humanity has always worked better when you see it as one.
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I was in the most restricted prison in China, the most tough. The design of the prison is modeled for internal crimes of the Communist party, so it’s like a mafia family’s law. It’s independent to the law this nation openly applies.
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Politics is like air and water. And you know if there is bad politics. Everyone is polluted. Everyone is unhealthy. See the people walking on the street: how they act.
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I think to deal with the situation like human crisis, 65 million people being displaced, lost their home, and with such human tragedy, has to make every level of society to be conscious and to be alert about the situation.
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But personally, I don’t think my work and my understanding of art is so much related to being Chinese, but the character of that. Maybe it’s beyond my own consciousness.
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I don’t like China. Even today, I still feel I have no emotional relations with this place.
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Just look at the statistics: Each university has tens of thousands of applications for students who want to be in art school, but they can only accept a few hundred.
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The Internet is the best thing that ever happened to China. It turns us into individuals and also enables us to share our perceptions and feelings. It creates a culture of individualism and exchange even though the real society doesn’t promote it.
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My definition of art has always been the same. It is about freedom of expression, a new way of communication. It is never about exhibiting in museums or about hanging it on the wall.
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I think the pearls – one is a necklace, and another you have five hundred pounds of pearls, which may be one million pearls in a bowl – really show a kind of [society] condition.
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China didn’t want to lose the cutting edge of technology. So the idea of having a Sina Weibo was an attempt to compete with Twitter. However, it has no soul – which is freedom of expression. Nevertheless,
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The Internet is uncontrollable. And if the Internet is uncontrollable, freedom will win. It’s as simple as that.
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I don’t think [price] reflects if the work is good or bad.A good artist shouldn’t be nervous about that.
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[Museums] all belongs to the cultural department, which is the biggest cultural department in the world.
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