I think my stance and my way of life is my most important art.
AI WEIWEII think my stance and my way of life is my most important art.
AI WEIWEIIf a master, a wise and experienced man, wields a great weapon, that’s beautiful. He can serve peace with it. But if someone’s emotions are imbalanced, even if he has the best equipment,
AI WEIWEII came back [to Beijing ] because that’s the only time I had an excuse to come back, or otherwise I would never have a reason to come back.
AI WEIWEIBut personally, I don’t think my work and my understanding of art is so much related to being Chinese, but the character of that. Maybe it’s beyond my own consciousness.
AI WEIWEIThese folks are creative and ironic, and the government can ultimately not control what is going on in their heads.
AI WEIWEII am very much interested in the so-called useless object. I mean, it takes perfect craftsmanship, beautiful material carefully measured and crafted, but at the same time it’s really useless.
AI WEIWEITo work in architecture you are so much involved with society, with politics, with bureaucrats. It’s a very complicated process to do large projects.
AI WEIWEIIf you don’t act, the danger becomes stronger.
AI WEIWEIHopefully, other successes aren’t like me. It carries much more meaning to other people; my success story is irrelevant. It doesn’t make any sense.
AI WEIWEIThe practice of photography is no longer a means for recording reality. Instead, it has become reality itself
AI WEIWEIFor years, I refused to go to any openings, not even my own.
AI WEIWEII don’t think I was very structured in that society and I don’t really believe in personal success, which most Americans believe in.
AI WEIWEII think to deal with the situation like human crisis, 65 million people being displaced, lost their home, and with such human tragedy, has to make every level of society to be conscious and to be alert about the situation.
AI WEIWEII think it’s quite narrow-minded. There wasn’t much encouragement or opportunities for any artist – not just Chinese artists.
AI WEIWEII believe [the architecture firm] Herzog and de Meuron and our collaboration made the product the best it could be.
AI WEIWEII never felt like a Chinese citizen because I was pushed away at a very young age. My father, a writer, was a national enemy of the Communist Party. He was forbidden to write for 20 years.
AI WEIWEI