“I feel like every project that I’ve been doing, I’ve learned something about myself. It’s like I’ve cracked something, or my vision of myself has gotten wider.”

I suppose each project is a new thing, so there’s all this excitement and nerves about this new thing.

I don’t really see myself as a big supermodel.

I get on with all my exes, so there’s nothing I need to forget about. I don’t know – life is shorter than it seems.

I don’t know what to expect for the next thing. There are always different people. It’s interesting.

I felt like it was really about people and how decisions and circumstances can change relationships.

Every single thing is like a new thing, so it’s never what I expect.

I can’t just settle for anybody. The fact is I’m choosy, but mainly about a man’s character. He has to be interesting, funny and clever. I don’t even mind if he’s not very good-looking.

I’ve always been really private about my personal life. I don’t talk about it.

I was like: “I’m actually doing this.” And now I feel more confident going into something.

I love ‘Breathless,’ and ‘Paris, Texas,’ and ‘Badlands.’

To be supportive of myself, I have to go with what I want to do. I started acting and I was so mesmerized.

I don’t think a name defines the core of who you are.

I’m like a boomerang, I always come back.

I had a really small role (playing goddess Aphrodite), and I was only working for just over a week with Ralph Fiennes and Liam Neeson.

I feel what is really great about Pusher is that it wasn’t about drugs and guns and strippers. That was just all circumstantial.

I dress like a tomboy.

Then I did the simplest thing in the world. I leaned down… and kissed him. And the world cracked open.

Goodbyes weren’t all they were cracked up to be