I had a really small role (playing goddess Aphrodite), and I was only working for just over a week with Ralph Fiennes and Liam Neeson.
AGYNESS DEYNYou can never become that thing, because it’s such a projection.
More Agyness Deyn Quotes
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I’d like a relationship that was like two tree trunks side by side, strong but independent.
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I can’t just settle for anybody. The fact is I’m choosy, but mainly about a man’s character. He has to be interesting, funny and clever. I don’t even mind if he’s not very good-looking.
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It is captivating, isn’t it? England has such a great scene of electronic music, and I think that was very prominent in Pusher, and the nightlife was the beat of the film.
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When I first started modelling, as I was walking down the catwalk I just thought,
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I didn’t hate it, but I was yearning to do something different. I was on a gradient. It was a gradual thing.
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I dress like a tomboy.
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For me, being onstage for an hour and a half, my confidence was really huge for me. Doing eight shows a week for a run.
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For modelling, you have to be such a strong person in a way – or seen to be a strong person, do you know what I mean? But in acting you have to get in touch with all the vulnerability that you carry.
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A lot of stuff written about me is rubbish. I don’t know where they get it from, sometimes.
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It will appeal to girls who are confident and have a strong personal expression of style and identity in the way that they dress and what this says about themselves.
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Well, I suppose I’ve never really had a lifestyle that needs upkeep. I don’t get cabs; I’m on the Tube with my Oyster card.
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I can’t do modeling disconnected. And I thought, “What do I like? What do I love about modeling?”
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I wish it were different, but my body clock wakes me up between 6:30 and 7:30 a.m. I was even talking yesterday about how, if I want to get enough sleep, I have to be in bed at 10. That means I’m totally a grandma.
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Modelling is only about the look. In acting, it’s the feel that matters.
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I was obsessed with those films in my teens. I remember watching ‘Badlands’ and being amazed that there were these scenes in which nobody said anything and the silence told the whole story.
AGYNESS DEYN