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I believe every translation is a process in which something is lost in the original precisely so that something is gained in the new text.

Agustin Fernandez Mallo

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Believe Every Gained Lost New Original Precisely Process Something Text Translation

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Today we understand that reality corresponds to a model – or, even better, the sum of various models – which in science are termed “complex systems” – not complicated or difficult, that’s a different thing!
AGUSTIN FERNANDEZ MALLO

Better Complicated Correspond Different Model Reality Sum Thing Understand World
In fact, many of the quotes in my books are quotes which were translated from English and that I read already translated into Spanish.
AGUSTIN FERNANDEZ MALLO

Book English Important Language Many Quote Spanish Translated Worldview
The structure of my novels has nothing to do with the narrative mode of cinema. My novels would be very difficult to film without ruining them completely.
AGUSTIN FERNANDEZ MALLO

Cinema Completely Culture Difficult Film Mode Narrative Nothing Novel Ruining Structure Thinking Very
This complexity is what creates that which we all know – the World – is connected in a system of networks – and I’m not referring only to the internet but also to thousands of analog networks in which we are all immersed at every instant.
AGUSTIN FERNANDEZ MALLO

Analog Complexity Connected Create Internet Know Network Referring System Thousand
Everything reaches us filtered through culture.
AGUSTIN FERNANDEZ MALLO

Culture Everything Filtered Reaches Through
I never enquire into the origin of things, all Origin is a fallacy (in this I follow Nietzsche: origin is a very contested Cartesian illusion of reliability).
AGUSTIN FERNANDEZ MALLO

All Culture Enquire Fallacy Illusion Origin Reliability Thing
For me, every translation is a new book, with the translator inevitably broadening the meaning of the original book in any translation.
AGUSTIN FERNANDEZ MALLO

Book Broadening Inevitably Meaning New Original Translation Translator
When I use the term “complex realism”, what I’m suggesting is that the writer must be realist, always realist, but not realist in the sense we have usually used the term in literature.
AGUSTIN FERNANDEZ MALLO

Complex Different Literature Must Realism Realist Reality Sense Suggesting Term Writer
I can play with that opportunity or not. This is my right, or poetic license, as someone who is building an artefact of fantasy – this implicit pact with the reader is my starting point.
AGUSTIN FERNANDEZ MALLO

Artifact Building Implicit License Opportunity Play Poetic Point Reader Right Someone Starting
I’m not really concerned with what the original version in English was, because the important thing for me is that I received them already translated, and they’ve influenced my original worldview as translations, not as original quotations.
AGUSTIN FERNANDEZ MALLO

Concerned English Fact Influenced Language Original Quote Spanish Worldview
If reality today is different from the reality of 30 years ago, we can’t keep describing reality in the same way as we did 30 years ago.
AGUSTIN FERNANDEZ MALLO

Ago Describing Different Keep Reality Today Year
If there’s one thing that can save the novel, it is to make it independent of cinema, to narrate in a way that cinema can never narrate, using to its benefit those particular characteristics which belong to writing.
AGUSTIN FERNANDEZ MALLO

Benefit Characteristics Cinema Independent Novel Writing
Our senses are always part of the process.
AGUSTIN FERNANDEZ MALLO

Always Part Process Sense
Not even I, in my original Spanish, am necessarily obliged to make exact quotations. I can do that or not,
AGUSTIN FERNANDEZ MALLO

Exact Fantasy Make Necessarily Obliged Opportunity Original Poetic Quotation Spanish
I think this is the area where writers need to place ourselves: from a position of absolute modernity and contemporaneity, creating a culture of objects which cinema cannot.
AGUSTIN FERNANDEZ MALLO

Absolute Area Cinema Contemporelity Creating Modernity Need Object Ourselves Place Position Think Writer
I believe every translation is a process in which something is lost in the original precisely so that something is gained in the new text.
AGUSTIN FERNANDEZ MALLO

Believe Every Gained Lost New Original Precisely Process Something Text Translation

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