There were fifty-four women and forty little boys with the Red Army prisoners, and I went daily to take care of them also.
AGNES SMEDLEYShe said little, especially when my father or the men who worked for him were about I remember her instinctive and unhesitating sympathy for the miners.
More Agnes Smedley Quotes
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She said little, especially when my father or the men who worked for him were about I remember her instinctive and unhesitating sympathy for the miners.
AGNES SMEDLEY -
For the first week of the Sian events I was a first aid worker in the streets of Sian.
AGNES SMEDLEY -
The subjects treated were technical Marxist theories.
AGNES SMEDLEY -
It is not a national question concerning India any longer; it is purely international.
AGNES SMEDLEY -
I forgot the songs they sung – and most of those songs are now dead; I erased their dialect from my tongue.
AGNES SMEDLEY -
I have always detested the belief that sex is the chief bond between man and woman.
AGNES SMEDLEY -
I joined another circle and the leader gave us a little leaflet in very small print, asking us to read it carefully and then come prepared to ask questions.
AGNES SMEDLEY -
I feel like a person living on the brink of a volcano crater.
AGNES SMEDLEY -
I shot, rode, jumped, and took part in all the fights of the boys.
AGNES SMEDLEY -
To die would have been beautiful. But I belong to those who do not die for the sake of beauty.
AGNES SMEDLEY -
There’s something dreadfully decisive about a beheading.
AGNES SMEDLEY -
And the woman who could win the respect of man was often the woman who could knock him down with her bare fists and sit on him until he yelled for help.
AGNES SMEDLEY -
When I was a girl, the West was still young, and the law of force, of physical force, was dominant.
AGNES SMEDLEY -
The highest joy is to fight by the side of those who for any reason of their own making or ours, are unable to develop to full human stature.
AGNES SMEDLEY -
Everybody calls everybody a spy, secretly, in Russia, and everybody is under surveillance. You never feel safe.
AGNES SMEDLEY