The vanity of man revolts from the serene indifference of the cat.
AGNES REPPLIERA real dog, beloved and therefore pampered by his mistress, is a lamentable spectacle. He suffers from fatty degeneration of his moral being.
More Agnes Repplier Quotes
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A dead grief is easier to bear than a live trouble.
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Wit is a pleasure-giving thing, largely because it eludes reason; but in the apprehension of an absurdity through the working of the comic spirit there is a foundation of reason, and an impetus to human companionship.
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A man who owns a dog is, in every sense of the words, its master; the term expresses accurately their mutual relations. But it is ridiculous when applied to the limited possession of a cat.
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Humor distorts nothing, and only false gods are laughed off their earthly pedestals.
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Too much rigidity on the part of teachers should be followed by a brisk spirit of insubordination on the part of the taught.
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The pitfall of the feminist is the belief that the interests of men and women can ever be severed; that what brings sufferings to the one can leave the other unscathed.
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There is something frightful in being required to enjoy and appreciate all masterpieces; to read with equal relish Milton, and Dante, and Calderon, and Goethe, and Homer, and Scott, and Voltaire, and Wordsworth, and Cervantes, and Molière, and Swift.
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The carefully fostered theory that schoolwork can be made easy and enjoyable breaks down as soon as anything, however trivial, has to be learned.
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A vast deal of ingenuity is wasted every year in evoking the undesirable, in the careful construction of objects which burden life. Frankenstein was a large rather than an isolated example.
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There is a secret and wholesome conviction in the heart of every man or woman who has written a book that it should be no easy matter for an intelligent reader to lay down that book unfinished. There is a pardonable impression among reviewers that half an hour in its company is sufficient.
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The great dividing line between books that are made to be read and books that are made to be bought is not the purely modern thing it seems. We can trace it, if we try, back to the first printing-presses.
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The age of credulity is every age the world has ever known. Men have always turned from the ascertained, which is limited and discouraging, to the dubious, which is unlimited and full of hope for everybody.
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While art may instruct as well as please, it can nevertheless be true art without instructing, but not without pleasing.
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Next to the joy of the egotist is the joy of the detractor.
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Now the pessimist proper is the most modest of men. … under no circumstances does he presume to imagine that he, a mere unit of pain, can in any degree change or soften the remorseless words of fate.
AGNES REPPLIER