It is bad enough to be bad, but to be bad in bad taste is unpardonable.
AGNES REPPLIERA world of vested interests is not a world which welcomes the disruptive force of candor.
More Agnes Repplier Quotes
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Philadelphians are every whit as mediocre as their neighbors, but they seldom encourage each other in mediocrity by giving it a more agreeable name.
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The delusions of the past seem fond and foolish. The delusions of the present seem subtle and sane.
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Humor, in one form or another, is characteristic of every nation; and reflecting the salient points of social and national life, it illuminates those crowded corners which history leaves obscure.
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There is something frightful in being required to enjoy and appreciate all masterpieces; to read with equal relish Milton, and Dante, and Calderon, and Goethe, and Homer, and Scott, and Voltaire, and Wordsworth, and Cervantes, and Molière, and Swift.
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Now the pessimist proper is the most modest of men. … under no circumstances does he presume to imagine that he, a mere unit of pain, can in any degree change or soften the remorseless words of fate.
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Next to the joy of the egotist is the joy of the detractor.
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The great dividing line between books that are made to be read and books that are made to be bought is not the purely modern thing it seems. We can trace it, if we try, back to the first printing-presses.
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The impulse to travel is one of the hopeful symptoms of life.
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Our dogs will love and admire the meanest of us, and feed our colossal vanity with their uncritical homage.
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An appreciation of words is so rare that everybody naturally thinks he possesses it, and this universal sentiment results in the misuse of a material whose beauty enriches the loving student beyond the dreams of avarice.
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It is not begging but the beggar, who has forfeited favor with the elect.
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Wit is a thing capable of proof.
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History is, and has always been trameled by facts. It may ignore some and deny others; but it cannot accommodate itself unreservedly to theories; it cannot be stripped of things evidenced in favor of things surmised.
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The audience is the controlling factor in the actor’s life. It is practically infallible, since there is no appeal from its verdict. It is a little like a supreme court composed of irresponsible minors.
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There are few things more wearisome in a fairly fatiguing life than the monotonous repetition of a phrase which catches and holds the public fancy by virtue of its total lack of significance.
AGNES REPPLIER