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It iscrucial that we understand lesbian/feminism in the deepest, most radical sense: as that love for ourselves and other women, that commitment to the freedom of all of us, which transcends the category of “sexual preference” and the issue of civil rights.

Adrienne Rich

No one sleeps in this room without the dream of a common language.
ADRIENNE RICH

Common Dream Language Room Sleep
A life I didn’t choose chose me: even my tools are the wrong ones for what I have to do.
ADRIENNE RICH

Choose Even Life One Tool Wrong
In 1945, just at the end of World War II, the American poet Muriel Rukeyser wrote a remarkable book called The Life of Poetry. In it she says that on any particular day in the world.
ADRIENNE RICH

Book Country End Immediately Poet Remarkable War World Wrote
White hate crimes, white hate speech. I still try to claim I wasn’t brought up to hate. But hate isn’t the half of it. I grew up in the vast encircling presumption of whiteness.
ADRIENNE RICH

Claim Crime Grew Hate Passion Speech Try White
I think of poetry as something out there in the world and within each of us. I don’t mean that everyone can write poetry – it’s an art, a craft.
ADRIENNE RICH

Art Craft Each Everyone Mean Poetry Something World Writing
Sexist grammar burns into the brains of little girls and young women a message that the male is the norm, the standard, the central figure beside which we are all deviants.
ADRIENNE RICH

Brain Burn Deviant Girl Grammar Men Message Norm Standard Thinking Young
A decade of cutting away dead flesh, cauterizing old scars ripped open over and over and still it is not enough.
ADRIENNE RICH

Cutting Enough Flesh Open Ripped Scar
Poetry is above all a concentration of the power of language, which is the power of our ultimate relationship to everything in the universe.
ADRIENNE RICH

Concentration Language ower Poetry Power Relationship Ultimate Universe
The dialectic between change and continuity is a painful but deeply instructive one, in personal life as in the life of a people.
ADRIENNE RICH

Change Continuity Dialectric Instructive Life Light People Personal
The most notable fact that our culture imprints on women is a sense of our limits.
ADRIENNE RICH

Culture Fact Important Imprint Limit Notable Sense
The unconscious wants truth, as the body does. The complexity and fecundity of dreams come from the complexity and fecundity of the unconscious struggling to fulfill that desire. The complexity and fecundity of poetry come from the same struggle.
ADRIENNE RICH

Body Complexity Desire Dream Fecundity Struggle Struggling Truth Unconcious
How we dwelt in two worlds the daughters and the mothers in the kingdom of the sons.
ADRIENNE RICH

Daughter Dwelt Kingdom Mother Son World
It’s as if, in the mother’s eyes, her smile, her stroking touch, the child first reads the message:’You are there!’
ADRIENNE RICH

Children Day Eye Message Mothers Smile Stroking Read Touch
I guess what concerns me always is the need for a field, a rich compost, for any art to flourish. But however isolate or unheard you may feel, if you have the need to write poetry, are compelled to write it, you go on, whether there is resonance or not.
ADRIENNE RICH

Art Compost Concern Feel Field Flourish Guess Isolate Need Rich Unheard Writing
Passion for survival is the great theme of women’s poetry.
ADRIENNE RICH

Great Passion Poetry Survival Theme Women
Women’s art, though created in solitude, wells up out of community.
ADRIENNE RICH

Art Community Creative Energy Enormous Hunger Solitude Women Work