Our personalities seem dangerously to blur and overlap with our mother’s; and, in a desperate attempt to know where mother ends and daughter begins, we perform radical surgery.
ADRIENNE RICHWhat I’m finding is that in our increasingly dysfunctional U.S. society, marvelous poetry is being written – out of and amid the dysfunction.
More Adrienne Rich Quotes
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The [Vietnam War Memorial] Wall became a magnet for citizens of every generation, class, race, and relationship to the war perhaps because it is the only great public monument that allows the anesthetized holes in the heart to fill with a truly national grief.
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The longer I live the more I mistrust theatricality, the false glamour cast by performance, the more I know its poverty beside the truths we are salvaging from the splitting-open of our lives. -from “Transcendental Etude
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There must be those among whom we can sit down and weep, and still be counted as warriors. (I make up this strange, angry packet for you, threaded with love.) I think you thought there was no such place for you, and perhaps there was none then.
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Passion for survival is the great theme of women’s poetry.
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The impulse to create begins – often terribly and fearfully – in a tunnel of silence.
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I am the androgyne, I am the living mind you fail to describe in your dead language the lost noun, the verb surviving only in the infinitive the letters of my name are written under the lids of the newborn child
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Every poem breaks a silence that had to be overcome.
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If you teach, you see this is not true. It may be that newer generations do not worship the text as some of their elders do.
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Or those who still believe that language is ‘only words’ and that an old language is good enough for our descriptions of the world we are trying to transform.
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If we had time and no money, living by our wits, what story would you tell?
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Every real poem is the breaking of an existing silence, and the first question we might ask any poem is, What kind of voice is breaking silence, and what kind of silence is being broken?
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I soon began to sense a fundamental perceptual difficulty among male scholars (and some female ones) for which ‘sexism’ is too facile a term. It is really an intellectual defect, which might be termed ‘patrivincialism’ or patrochialism.
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Just as traffic symbols, when driving, make us almost unconsciously aware of a steep hill, an intersection, an icy bridge etc.
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A language is a map of our failures.
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As a society in turmoil, we are going to see more, and more various, attempts to simulate order through repression; and art is a historical target for such efforts.
ADRIENNE RICH