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This is one of the ways in which women’s work and thinking has been made to seem sporadic, errant, orphaned of any tradition of its own.

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Errant One Orphaned Own Seem Sporadic Thinking Tradition Way Women Work

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If you teach, you see this is not true. It may be that newer generations do not worship the text as some of their elders do.
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A revolutionary poem will not tell you who or when to kill, what and when to burn, or even how to theorize. It reminds you… where and when and how you are living and might live, it is a wick of desire.
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The danger lies in forgetting what we had. The flow between generations becomes a trickle, grandchildren tape-recording grandparents’ memories on special occasions perhaps-no casual storytelling jogged by daily life.
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What I search for continuously in my art is adequate language, language I hope can stand beyond any particular occasion.
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We move but our words stand become responsible for more than we intended and this is verbal privilege
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Poems are like dreams: in them you put what you don’t know you know.
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There being no shared daily life what with migrations, exiles, diasporas, rendings, the search for work. Or there is a shared daily life riddled with holes of silence
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We might possess every technological resource… but if our language is inadequate, our vision remains formless.
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There is, clearly, both enormous hunger for the work thus being diffused, and an explosion of creative energy, bursting through the coercive choicelessness of the system on whose boundaries we are working.
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In a history of spiritual rupture, a social compact built on fantasy and collective secrets, poetry becomes more necessary than ever: it keeps the underground aquifers flowing; it is the liquid voice that can wear through stone.
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Most women have not even been able to touch this anger, except to drive it inward like a rusted nail.
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The liar often suffers from amnesia. Amnesia is the silence of the unconscious.
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What it is like to live in another skin, what it is like to live in another body, and in that sense to surpass ourselves, to go out beyond ourselves.
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Can you remember? when we thought the poets taught how to live?
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Even the most angry, even the darkest, even the most grief-stricken, and even the most embittered art has that element somewhere behind it. Because how could you be so despairing, so embittered, if you had not had something you loved that you lost?
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