The serious revolutionary, like the serious artist, can’t afford to lead a sentimental or self-deceiving life.
ADRIENNE RICHOne does not give birth in a void, but rather in a cultural and political context. Laws, professional codes, religious sanctions, and ethnic traditions all affect women’s choices concerning childbirth.
More Adrienne Rich Quotes
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I am a feminist because I feel endangered, psychically and physically, by this society and because I believe that the women’s movement is saying that we have come to an edge of history.
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I define “politics” as the on-going collective struggle for liberation and for the power to create – not only works of art, but also just and nonviolent social institutions.
ADRIENNE RICH -
If we had time and no money, living by our wits, what story would you tell?
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A revolutionary poem will not tell you who or when to kill, what and when to burn, or even how to theorize. It reminds you… where and when and how you are living and might live, it is a wick of desire.
ADRIENNE RICH -
The moment of change is the only poem.
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The marriage-resisting women silk workers of pre-Revolutionary China, the millions of widows, midwives, and the women healers tortured and burned as witches for three centuries in Europe.
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In 1945, just at the end of World War II, the American poet Muriel Rukeyser wrote a remarkable book called The Life of Poetry. In it she says that on any particular day in the world.
ADRIENNE RICH -
It is important to possess a short-term pessimism and a long-term optimism.
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If you think you can grasp me, think again: my story flows in more than one direction, a delta springing from the river bed with its five fingers spread.
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A thinking woman sleeps with monsters.
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A huge breast, an avid cave; between her legs snakes, swamp-grass, or teeth; on her lap a helpless infant or a martyred son. She exists for one purpose: to bear and nourish the son.
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To seek visions, to dream dreams, is essential, and it is also essential to try new ways of living, to make room for serious experimentation, to respect the effort even where it fails.
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Until we know the assumptions in which we are drenched, we cannot know ourselves.
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False history gets made all day, any day, the truth of the new is never on the news.
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In the States, there has been, compared to the Sixties and Seventies, a huge retrenchment – not just in poetry – into the personal.
ADRIENNE RICH