In 1945, just at the end of World War II, the American poet Muriel Rukeyser wrote a remarkable book called The Life of Poetry. In it she says that on any particular day in the world.
ADRIENNE RICHIt is important to do this because we can count on so few people to go that hard way with us.
More Adrienne Rich Quotes
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The mind’s passion is all for singling out. Obscurity has another tale to tell.
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The marriage-resisting women silk workers of pre-Revolutionary China, the millions of widows, midwives, and the women healers tortured and burned as witches for three centuries in Europe.
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We might possess every technological resource… but if our language is inadequate, our vision remains formless.
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We have lived with violence far too long.
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Even the most angry, even the darkest, even the most grief-stricken, and even the most embittered art has that element somewhere behind it. Because how could you be so despairing, so embittered, if you had not had something you loved that you lost?
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Passion for survival is the great theme of women’s poetry.
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I think about the possibilities for empathy, for mutual solidarity among gay men and lesbians, not simply as people who suffer under homophobia, but as people who are also extremely creative, active, and have a particular understanding of the human condition.
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The words are purposes./The words are maps./I came to see the damage that was done/and the treasures that prevail.
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I’ve had to guess at her, sewing her skin together as I sew mine, though with a different stitch
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It is as though the risks of the poet’s existence can be put to some use beyond her own survival.
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There must be those among whom we can sit down and weep, and still be counted as warriors. (I make up this strange, angry packet for you, threaded with love.) I think you thought there was no such place for you, and perhaps there was none then.
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Behind all art is an element of desire…Love of life, of existence, love of another human being, love of human beings is in some way behind all art.
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There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist’s relation to bread and blood. In this view.
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Pride is a tricky, glorious, double-edged feeling.
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What kind of beast would turn its life into words?
ADRIENNE RICH