Increasingly I think of poetry as a theatre of voices, not as coming from a single “I” or from any one position. I want to imagine voices different from my own.
ADRIENNE RICHYou must write, and read, as if your life depended on it.
More Adrienne Rich Quotes
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[The poet] is endowed to speak for those who do not have the gift of language, or to see for those who – for whatever reasons – are less conscious of what they are living through.
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The unconscious wants truth, as the body does. The complexity and fecundity of dreams come from the complexity and fecundity of the unconscious struggling to fulfill that desire. The complexity and fecundity of poetry come from the same struggle.
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To become a politics of asking women’s questions, demanding a world in which the integrity of all women–not a chosen few–shall be honored and validated in every respect of culture.
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A withdrawal from thinking in terms of social and collective values, needs and solutions. The consciousness-raising groups of the women’s movement, for instance, becoming “support-groups” or therapy groups.
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The marriage-resisting women silk workers of pre-Revolutionary China, the millions of widows, midwives, and the women healers tortured and burned as witches for three centuries in Europe.
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No woman is really an insider in the institutions fathered by masculine consciousness.
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When someone with the authority of a teacher describes the world and you’re not in it, there’s a moment of psychic disequilibrium, as if you looked into a mirror and saw nothing.
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How shall we ever make the world intelligent of our movement? I do not think that the answer lies in trying to render feminism easy, popular, and instantly gratifying.
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There is, clearly, both enormous hunger for the work thus being diffused, and an explosion of creative energy, bursting through the coercive choicelessness of the system on whose boundaries we are working.
ADRIENNE RICH -
The moment when a feeling enters the body/ is political. This touch is political
ADRIENNE RICH -
We are, none of us, ‘either’ mothers or daughters; to our amazement, confusion, and greater complexity, we are both.
ADRIENNE RICH -
Most women have not even been able to touch this anger, except to drive it inward like a rusted nail.
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The [Vietnam War Memorial] Wall became a magnet for citizens of every generation, class, race, and relationship to the war perhaps because it is the only great public monument that allows the anesthetized holes in the heart to fill with a truly national grief.
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I do not think [poetry] is more, or less, necessary than food, shelter, health, education, decent working conditions. It is as necessary.
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There’s been real hostility toward political poetry in the U.S., hostility or, at best, incomprehension. I’m speaking of those who have institutional power over what gets published, over grants andprizes and reviewing.
ADRIENNE RICH