he ocean on whose surface vessels (personified as female) can ride but in whose depth sailors meet their death and monsters conceal themselves.
ADRIENNE RICH“Global culture” is of course not a culture: it’s the global marketing and imposing of commodities and images for the interests of the few at the expense of the many.
More Adrienne Rich Quotes
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False history gets made all day, any day, the truth of the new is never on the news.
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Whether of love and sexuality or creativity or the sense of connectedness with other beings, human and otherwise?
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Until we understand the assumptions in which we are drenched we cannot know ourselves. And this drive to self-knowledge, for women, is more than a search for identity.
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I guess what concerns me always is the need for a field, a rich compost, for any art to flourish. But however isolate or unheard you may feel, if you have the need to write poetry, are compelled to write it, you go on, whether there is resonance or not.
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A book of poems doesn’t just come out by chance, an editor has to select it, a publisher has to distribute it or you will never see it.
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The decision to feed the world is the real decision. No revolution has chosen it. For that choice requires that women shall be free.
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I think of poetry as something out there in the world and within each of us. I don’t mean that everyone can write poetry – it’s an art, a craft.
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For now, poetry has the capacity – in its own ways and by its own means – to remind us of something we are forbidden to see.
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We’ve learned a lot from the great psychologists. Wilhelm Reich wrote about the relationship between fascism and sexual repression.
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The liar often suffers from amnesia. Amnesia is the silence of the unconscious.
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If poetry ceased to exist, it would immediately be reinvented on that same day.
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Passion for survival is the great theme of women’s poetry.
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Made difficult-to-come-by, whatever is buried in the memory by the collapse of meaning under an inadequate or lying language – this will become, not merely unspoken, but unspeakable.
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You have to be free to play around with the notion that day might be night, love might be hate; nothing can be too sacred for the imagination to turn into its opposite or to call experimentally by another name. For writing is re-naming.
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When someone with the authority of a teacher, say, describes the world and you are not in it, there is a moment of psychic disequilibrium, as if you looked into a mirror and saw nothing. Yet you know you exist and others like you, that this is a game with mirrors.
ADRIENNE RICH






