“I cannot imagine a more perfect guide to such a rich trove of ancient and modern memories. Illuminating, erudite, entertaining, and evocative.”

The history of making war with biological weapons begins in mythology, in ancient oral traditions that preserved records of actual events and ideas of the era before the invention of written histories.

Layer upon layer, Italy’s storied past unfolds in Robert Kaster’s captivating journey along the venerable Queen of Roads.

Although it is tempting to imagine an ancient era innocent of biochemical weaponry, in fact this Pandora’s box of horrors was opened thousands of years ago.

War with poison and chemicals was not so rare in the ancient world.

And panoply is an apt term here, because it is the ancient Greek word for ‘all weapons.

An astounding panoply of toxic substances, venomous creatures, poison plants, animals and insects, deleterious environments, virulent pathogens, infectious agents, noxious gases, and combustible chemicals were marshalled to defeat foes.

So I wanted to create soundscapes that are evocative of places that only exist in your head – that’s where the fun, psychedelic stuff happens anyway.

It’s very evocative; it’s like a first cut because you hear ‘She walked to the door,’ and you visualize all these things. ‘She opens the door’ . . . because you read the stage directions, too.

Don’t Let Him Know is a rich, evocative and brilliantly told tale of family, of loyalties, and of love that must stay secret.