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I think part of what makes movies special is that it is a relatively intimate environment and it’s pretty short-lived.

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It made me have a much greater understanding of loss, of loneliness.
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Not being a commodity enough to be hired by the big directors for projects that have some kind of integrity.
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Or maybe we’re all self-conscious to an extent.
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They might mean well by it, but we are conditioned to be afraid of things.
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It’s something that I don’t want to lose. I like being unnoticed when I don’t feel like being noticed.
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We were all kind of thrown into the woods and we didn’t have any of the modern conveniences that we take for granted.
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I think part of what makes movies special is that it is a relatively intimate environment and it’s pretty short-lived.
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If something is incredibly difficult to connect to, and painful, then I have to do a lot of work to connect to that and not joke around or lose sight of my job.
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So there’s more competition, so you have to work harder and be right for it.
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Part of what attracted me to the village was it had a lot of parallels to contemporary issues.
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Because the successful actors who’ve been in the game for a while want those roles.
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War is chaotic and when you start having a larger scale film and you have a lot of safety protocols and choreography,
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I try to pace myself and not work for the sake of working and stick to what inspired me prior to receiving recognition.
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Learned how to survive without anything.
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So perhaps we always are acting, in a sense. But you meet someone you feel you admire or you “know,” and it’ll be different for that reason.
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People think fame and money will bring you happiness.
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