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I’m very grateful for it. But at the same time, it’s not a subculture-y thing anymore; it’s something that’s in the New York Times and the New Yorker.

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It’s psychologically a weird experience to be so aware of the fact that the real time of your life is moving much faster than the fictional time you’re trying to depict.
ADRIAN TOMINE

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For a stretch of time, I got really caught up in the idea that what people liked about my work was that I was a young guy.
ADRIAN TOMINE

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There were points at which I was trying to use my art to reflect positively on myself, to almost be flirtatious through the work.
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There are certain artists and filmmakers who, I get the impression, are trying to show off how bad their characters can be, how immoral their characters can be.
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I get the impression from some people that unless they get direct access to characters’ thoughts and realizations.
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I think there’s a lot of evolution that’s happened in intangible ways, in terms of how I think about the work or how I plan it out.
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But not the kind of comics that they were used to, and no, it’s not pornography, etc.
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I think in terms of getting new artists who are not in that sort of stereotypical teenage boy demographic.
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But my impression is that the main impediment to progress in that regard is the number of people who are choosing to make a go of it.
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I never go home and take out those business cards and go to those websites.
ADRIAN TOMINE

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Underground and alternative comics existed in a vacuum for years, where money really wasn’t an issue.
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And with this sort of increased visibility, there’s more money going around in the industry, and it changes a lot, in terms of who gets into the business as a creator, who sticks with it, and who gets pushed out.
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Whereas the graphic novel is now being held up as something to aspire to and as something that’s respectable for adults to read.
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Who was trying to be cool by writing about young people and a certain kind of Bay Area culture that I was tangentially a part of.
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If you’re changing diapers and going to the playground, any ambitions of being a cool guy have to fly out the window.
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I’m very grateful for it. But at the same time, it’s not a subculture-y thing anymore; it’s something that’s in the New York Times and the New Yorker.
ADRIAN TOMINE

Anymore Country Grateful Same Subculture Thing Time

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