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I’m very grateful for it. But at the same time, it’s not a subculture-y thing anymore; it’s something that’s in the New York Times and the New Yorker.

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I think there’s this general hunger for greater diversity, where publishers are really excited about finding different voices than what has been done.
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Either thought balloons or narrations or some sort of showy action, then those thoughts and realizations never existed.
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You start to feel very weighted down sometimes.
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I’m very grateful for it. But at the same time, it’s not a subculture-y thing anymore; it’s something that’s in the New York Times and the New Yorker.
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I get the impression from some people that unless they get direct access to characters’ thoughts and realizations.
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But if there was a mini-comic here in my hand, I’d read it while I ate my lunch.
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Who was trying to be cool by writing about young people and a certain kind of Bay Area culture that I was tangentially a part of.
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I think in terms of getting new artists who are not in that sort of stereotypical teenage boy demographic.
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The loner – it can have a real impact on the art when they realize, I have friends, I’m married, or I have kids. That’s certainly happened to me.
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I’m also probably one of the few remaining holdouts who hasn’t consented to making the e-book versions of all my work, which is annoying to some of my publishers.
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But not the kind of comics that they were used to, and no, it’s not pornography, etc.
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When email and the Internet came along, I never publish an email address. I just stuck with this P.O. Box address.
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Especially for people of our generation, who really celebrated certain attitudes – the outsider.
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I think, to its credit, this is one of the last forms of popular entertainment that I don’t sense to be discriminatory in any way.
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Underground and alternative comics existed in a vacuum for years, where money really wasn’t an issue.
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Whereas the graphic novel is now being held up as something to aspire to and as something that’s respectable for adults to read.
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