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People are ready to do either, and the content has to work on both.

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If you ever go behind the glass and look at the focus groups that are deciding what you’re gonna watch, it’s scary.
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People ultimately get what they deserve on TV.
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I wasn’t really a big comic book guy, growing up. I watched cartoons, but the choices were a whole heck of a lot slimmer.
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The power lies in who can say no the most. But, real power, though, lies in the opportunity to say yes.
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You really have to bring your game and know what you want to do.
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People are ready to do either, and the content has to work on both.
ADRIAN PASDAR

Both Contest Either People Ready Work
You have to be malleable to what’s going to work, and you have to stay in the framework of the context.
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And then, there are the producers and the writers and the director on the other side of the glass, and what they want.
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But there are people who are way better at it than I am.
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Better Me People Than Way
The involvement of people at home is just broadening things.
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On a plane or on a train, or whatever, you see people with their headphones and they’re looking at their iPhone or their Galaxy.
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I know that the vitriol and hyperbole that exists online, and the anonymity, can be deadly because it’s cloaked in negativity and it’s brutal sometimes.
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People want a certain amount of each. It’s just widening the market a little bit.
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I don’t consider myself much of an actor. I have a face and a voice that allows me to do certain things.
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Nine times out of ten, I’m trying to meet someone else’s expectations, whether it’s the director or the writer or the animator
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It’s liberating, on one hand, because you get to show up in sweatpants and with Doritos on your fingers, but on the other hand, it’s limiting because it’s just your voice.
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