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I was a poor, geeky black kid in Indianapolis. There is nothing mythological about that.

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Black Country Geeky Kid Mythological Nothing Poor

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The 1990s were also when a bunch of the soft-shoe language for race, gender, and class became paramount.
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It was in the air somehow. That ownership of bigotry. I hadn’t seen it since I was a kid.
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They are 100% the product of the circumstances that led me home.
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The day after the president Trump election, I remember feeling like it was 1984 again.
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I never thought I would type that I learned how to emote in poems from watching Star Trek but there it is.
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It made me want to change the kinds of poems I was writing, but I’m terrible at writing overtly political poems.
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By that I mean, honest and not trying to amplify some mythological version of myself.
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I was a poor, geeky black kid in Indianapolis. There is nothing mythological about that.
ADRIAN MATEJKA

Black Country Geeky Kid Mythological Nothing Poor
I learned a new language for it all in the 90s. Which in some ways isn’t bad.
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One of the things I took from the show was emotional possibility.
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There is no way I would have written these poems had I not come back.
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This poem began as an emulation of Siqueiros’s compositional style and, in the process, became an ekphrastic aubade about my old neighborhood.
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Bigotry doesn’t care about state or regional lines. It’s all over the place.
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Because before that I wasn’t thinking about systems or food insecurity or whatever.
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Bones was a grouch but he was sympathetic. The show worked like a boy band in that way… it had characters who embodied different psychic or emotional positions and that allowed me to see a great range of things
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