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By that I mean, honest and not trying to amplify some mythological version of myself.

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Amplify Honest Mean Myself Mythological Trying Version

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One of the things I took from the show was emotional possibility.
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I was just thinking about not getting picked on for being black and not being hungry.
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One of the hardest things for me to do is be fully open in a poem.
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The contrasts between the haves and have-nots is so complicated.
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It will alter the way you hear poetry forever. And not in a good way.
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Bones was a grouch but he was sympathetic. The show worked like a boy band in that way… it had characters who embodied different psychic or emotional positions and that allowed me to see a great range of things
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I learned a new language for it all in the 90s. Which in some ways isn’t bad.
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That was one of things that surprised me so much when I was writing the poems.
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Because before that I wasn’t thinking about systems or food insecurity or whatever.
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I was a poor, geeky black kid in Indianapolis. There is nothing mythological about that.
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It was in the air somehow. That ownership of bigotry. I hadn’t seen it since I was a kid.
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By that I mean, honest and not trying to amplify some mythological version of myself.
ADRIAN MATEJKA

Amplify Honest Mean Myself Mythological Trying Version
But fortunately there are also really excellent human beings all over the place, too. So it’s about perception and balance sometimes I think.
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I had to find a way to be more honest about what happened. And it wasn’t fun to write, even though the poems aren’t 100% autobiographical.
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I never thought I would type that I learned how to emote in poems from watching Star Trek but there it is.
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Echo of a Scream (1937).’ I got spun out by the way he creates tension and movement through the interlocking details in the painting.
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Creates Detail Echo Interlocking Painting Scream Spun Tension

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