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He’s not cruel. He just does what he has to do. And in his own mind, he’s absolutely right.

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You’re always looking to make it a bit fresh.
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You have to make that judgement yourself, and that’s partly where the casting director is so good. It was that blend that we were looking for.
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But when he finally does make it, they’re not going to make it easy for him. That never changes.
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And we make quite a big thing about that. I won’t give too much away.
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I want to make sure people are constantly surprised and interested.
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I think there’s an element in Milady where she sees her own innocence in D’Artagnan.
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It’s a great genre because you can do a lot. Sometimes in thrillers, you can really explore things, and it’s the same in this genre.
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On a simple level, you need directors who are good at action and can choreograph an action scene
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One of the problems of this genre is that there are cliches everywhere, and you’ve got to be careful and watch out.
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The concept of being loyal to your friends, to the point where you’d even die for them, is a great subject.
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The thing about villains is that villains always have their own logic, and they don’t necessarily see themselves as villains.
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But you need them to also have that sense of fun and that sense of movement and that ability to get the actors to really respond to the material in the way that you want them to. It’s a very big thing.
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Richelieu was a great statesman, and like all great statesman, he was a very ruthless man.
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It’s not fundamentally different to any other genre, that action is a particular thing.
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And we’re always talking to the directors about that. It’s a big challenge to find people that can do it.
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In the very beginning, she’s using him in a pretty cynical way.
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