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I’ve been given the opportunity to be alive in this day and age, and it’s rare.

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I use music really as a form of raw expression; escape from the real world.
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I think you can find a lot of joy and inspiration through food.
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The future of cinema and communications is all about collaboration and the decentralized control of storytelling.
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Find a partner, commit to taking action, and hold each other accountable.
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I don’t like putting people on a pedestal, I think ideas are more exciting.
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So my mother set the foundation for my appreciation for nature and my empathy for other people.
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I want to show people that environmentalism can be fun!
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The label sort of capitalized on that desperation and that competition.
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But then, being a sort of rebellious, philosophical thinker, I’m always looking for new ways to shake things up.
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That’s what we do on ‘Entourage.’ We embed ourselves in legitimate authentic moments.
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Let’s show people how desirable it is to step it up and climb towards heaven.
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When you are dealing with real life, there is no way to control it.
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I think winter wear is communal.
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And I dealt with it by making a film about a kid who’s looking out into the world of celebrity obsession.
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So I feel like I’m really lucky to be alive in a time where there’s so much opportunity to disrupt and shake it up.
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It’s what we live for, to be able to make great illusions.
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