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I was watching Monster’s Ball, which is a fabulous movie. It’s just a little gem: beautifully shot, and shot in a way I never would have done.

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What I think is interesting is that the more you do.
ADRIAN GOSTICK

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Their every instinct – and I have to say this is without exception – is to iron out the bumps, and It’s always the bumps that are the most interesting stuff.
ADRIAN GOSTICK

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Obviously, in dealing with a relationship, sexuality has to be involved, and jealousy and emotions like that. And I don’t know, I’ve always been intrigued by those emotions.
ADRIAN GOSTICK

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Especially living in the South of France.
ADRIAN GOSTICK

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The challenge, really, on any new film is to try to avoid that and achieve a few moments that aren’t cliche.
ADRIAN GOSTICK

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Foxes was a movie that didn’t do a lot of business but it didn’t do too badly critically and eventually they offered me other things.
ADRIAN GOSTICK

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Where you can be in their shoes and therefore be more involved if they’re people that you recognize.
ADRIAN GOSTICK

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It made me feel very old, really, because it wasn’t eccentric for its own sake, it was just very original.
ADRIAN GOSTICK

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It’s the sort of subject that always interests me: jealousy and the language of suspicion and guilt. I think it interests people.
ADRIAN GOSTICK

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You know them so well, almost as well or better than their spouse. You have to know them, warts and all.
ADRIAN GOSTICK

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I think you get better at staring into space.
ADRIAN GOSTICK

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I looked at Brief Encounter very closely, to be honest.
ADRIAN GOSTICK

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And the very real danger is that if your book of rules becomes a book of cliches.
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I’ve always been interested in films where you can identify with the actors.
ADRIAN GOSTICK

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Somebody said that I’m a bit like a sponge, grabbing things here and there, soaking stuff up. [As a director] you have to be, really.
ADRIAN GOSTICK

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I think that there are points where you become so close to an actor,
ADRIAN GOSTICK

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