black
grey
blue
red
brown
white

. It has to look real. That in itself becomes challenging because you have to learn it straight away.

Adewale Akinnuoye-Agbaje

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I like the fact that there was a European, first-time director. I’d known of him because I’m from Europe.
ADEWALE AKINNUOYE-AGBAJE

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It’s a significant question: should black people only adopt black children, and white people white children?
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There’s always your initial trepidation about doing a remake, but that was alleviated by the fact that it was a prequel.
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The actual fights themselves are very demanding.
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I thrive on that; I rise to the occasion of the circumstances.
ADEWALE AKINNUOYE-AGBAJE

Anand Thakur
just to show people the range that I have, and for them to be able to see the artistry beyond the color.
ADEWALE AKINNUOYE-AGBAJE

Able Artistry Beyond Color Range Show
I just said, “This is something to get on board with.”
ADEWALE AKINNUOYE-AGBAJE

Anand Thakur
Akin is warrior or brave man
ADEWALE AKINNUOYE-AGBAJE

Anand Thakur
. You have to make sure you don’t hurt or hit someone. And hit the beats, because they have five cameras
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Beat Camera Hit Hurt Someone Sure
I was always led to believe you should take care of yourself.
ADEWALE AKINNUOYE-AGBAJE

Anand Thakur
And if it means you’re getting a certain amount of notoriety from a fight, that’s what you’ll do.
ADEWALE AKINNUOYE-AGBAJE

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Each actor was serviced in the movie, and we tried to do that in this movie as well.
ADEWALE AKINNUOYE-AGBAJE

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You want to create something fresh, original, very unique.
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I remember in the Carpenter version, you got acquainted with the characters and really knew them..
ADEWALE AKINNUOYE-AGBAJE

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It’s a good way of getting you into the zone for the scene.
ADEWALE AKINNUOYE-AGBAJE

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It seemed like a different story, with the horror elements.
ADEWALE AKINNUOYE-AGBAJE

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