I’m a big fan of Tom Stoppard’s work, and have been since I was in school where I studied him.
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I’m a big fan of Tom Stoppard’s work, and have been since I was in school where I studied him.
ADELAIDE CLEMENSI moved there when I was 19 so I developed a close knit group of friends
ADELAIDE CLEMENSIn a photo shoot, you have to be very comfortable in your own skin.
ADELAIDE CLEMENSWe had to, as children, adapt to various situations with either a military family or things like that.
ADELAIDE CLEMENSGenerally, I play the kind of ethereal, fragile-on-the-outside-but-hard-and-damaged-on-the-inside type.
ADELAIDE CLEMENSI like to go in the opposite direction and do a short film, or something else.
ADELAIDE CLEMENSAlthough my father is English, I was brought up in Australia.
ADELAIDE CLEMENSI love new cities, and if I haven’t travelled for a month, the need to go somewhere starts to gets under my skin.
ADELAIDE CLEMENSNone of whom are actors, none of which are Australian, but I couldn’t do it long term.
ADELAIDE CLEMENSI enjoy everything. After one particular experience of work
ADELAIDE CLEMENSAnd being the only blonde haired girl in this sea of international students, and thinking, ‘Oh, my God. There’s no hiding here.
ADELAIDE CLEMENSI remember vividly one distinct memory of arriving in Hong Kong
ADELAIDE CLEMENSI live in L.A. and I do have wonderful friends
ADELAIDE CLEMENSI never consciously set out to be an actor. I just kind of did whatever acting I could do.
ADELAIDE CLEMENSI really like being thrown into the works. Many actors, I have found, have this as a common trait.
ADELAIDE CLEMENSI’ve done a lot of independent film, which are short shoots that are usually four to six weeks, max.
ADELAIDE CLEMENS