The powers of nature are never in repose; her work never stands still.
ADAM SEDGWICKwe must suppose all the covering of moss and heath and wood to be torn away from the sides of the mountains, and the green mantle that lies near their feet to be lifted up;
More Adam Sedgwick Quotes
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Among the older records, we find chapter after chapter of which we can read the characters, and make out their meaning: and as we approach the period of man’s creation,
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And why is this done? For no other reason, I am sure, except to make us independent of a Creator.
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As a system of philosophy it is not like the Tower of Babel, so daring its high aim as to seek a shelter against God’s anger; but it is like a pyramid poised on its apex.
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[Vestiges begins] from principles which are at variance with all sober inductive truth.
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we may then see the muscular integuments, and sinews, and bones of our mother Earth,
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Our chronicle seems to fail us-a leaf has been torn out from nature’s record, and the succession of events is almost hidden from our eyes.
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Our labours for the black people of Africa were works of madmen; and man and woman are only better beasts!
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The utmost movements that he allows are a slight quivering of her muscular integuments.
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Considered as a mere question of physics, (and keeping all moral considerations entirely out of sight,) the appearance of man is a geological phenomenon of vast importance
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we must suppose all the covering of moss and heath and wood to be torn away from the sides of the mountains, and the green mantle that lies near their feet to be lifted up;
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Yet Mr. Lyell will admit no greater paroxysms than we ourselves have witnessed-no periods of feverish spasmodic energy, during which the very framework of nature has been convulsed and torn asunder.
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We cannot take one step in geology without drawing upon the fathomless stores of by-gone time.
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Volcanic action is essentially paroxysmal
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Or holds them of no account in the estimate of his origin and place in the created world.
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and so judge of the part played by each of them during those old convulsive movements whereby her limbs were contorted and drawn up into their present posture.
ADAM SEDGWICK






