I felt like I had kind of played it out, and I wanted to see what was next, and then came Mythbusters.
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Anand Thakur
I felt like I had kind of played it out, and I wanted to see what was next, and then came Mythbusters.
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That’s our job – to strap rockets onto everything.
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Teach yourself about the path of each in your engine and tracing it is fairly straightforward. But at the beginning, mastering each new system seems like an unreachable shore.
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The Internet is probably the most important technological advancement of my lifetime.
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The car is effectively a black box.
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That’s OK. The project may be the lion, but the list is your whip.
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And I’ve concluded, after careful consideration, that this person keeping score is me.
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The closer the deadline, the more likely you’ll start thinking waaay outside the box.
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That aesthetic of the Star Wars universe: the do-it-yourself, hotrod ethic that George Lucas exported from his childhood, is exactly the same kind of soul behind what we do and build for the show.
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It’s a pointless delay that wrecks my pace – and mood.
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I like to work fast. I despise not having the right tool or, worse, knowing I have it but not being able to find it.
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Prayer doesn’t work because someone out there is listening, it works because someone in here is listening.
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If I haven’t had any long term psychological side effects from all the things I’ve already done on this show, this isn’t gonna hurt much more.
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And there are days when just going into work and building something from someone else’s drawing sounds like going back to heaven.
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I think at this point, there’s a certain bizarre chemistry between Jamie [Hyneman] and I that we can’t ignore a lot of the mechanics of, that we’re quite aware of.
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I had saved a few hundred photos of dodo skeletons into my ‘Creative Projects’ folder
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