“I wanted to write some lyrics that had some meaning to them, lyrics that were meaningful to me and hopefully people can take something from that.”

You don’t want the biggest record deal as far as money goes, you just want to make sure that the people at the label really support your band and the music and stuff.

We really try to make sure that the band writes the songs, not just one person.

A lot of big labels will just sign bands like a write off.

So you have to just be really careful and make sure that when a deal comes along, that it’s like the right deal for you… not necessarily the most money, because you have to pay the record label that back in like record sales and stuff.

Being on Ozzfest has been a great way for us to break out and show metal fans that we have a heavy side.

We’re definitely not a metal band, but we’re a band that focuses on meaningful lyrics and melody.

Actually, we got signed in November of 2000 with Dreamworks which is the most amazing label.

Hopefully people can look at our band and see that we’re a heavy rock band.

Being a new band, I just can’t think of a better way to get your name out to all of the Hard-Rock crowd than playing with twenty of the biggest Hard-Rock bands in the world.

That was our first major tour and we got a chance to play in front of like 5000 people every day so it was like a Rock and Roll boot camp for us really

We knew that we wanted to play heavy music but I hadn’t gotten into melody and things like that.

Musicians don’t respect a lot of the stuff that is on TRL and a lot of musicians think that stuff on the radio is not good musically so when musicians say that they like us it obviously feels good.

Everything is completely democratic in this band so far and that is the way that we would like to keep it.

We just wanted to get as far away from the rap-rock scene as possible, because its been done and other bands do it better than us anyway.

I think that every band tries to mature their sound through their existence, you know?

We have friends on other labels and though we are not selling millions of records, yet, they treat us with tons of respect and give us some very good guidance.

Don’t call my lyrics poetry. It’s an insult to real poets.

There exists a kind of laughter which is worthy to be ranked with the higher lyric emotions and is infinitely different from the twitching of a mean merrymaker.

Logic , like lyrical poetry , is no employment for the middle-aged.

For public opinion does not admit that lofty rapturous laughter is worthy to stand beside lofty lyrical emotion and that there isall the difference in the world between it and the antics of a clown at a fair.

Tom Sleigh’s poetry is hard-earned and well founded. I great admire the way it refuses to cut emotional corners and yet achieves a sense of lyric absolution.

In fact, in lyric poetry, truthfulness becomes recognizable as a ring of truth within the medium itself.

If I knew the language enough to know it was a horrible love song with stupid lyrics.

I am delighted at Des’s support in these elections. And thank him for his rewrite of the lyrics of Send in the Clowns which we are planning to sing at our South East conference.