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I only translate authors whose work already interests me as a reader, and that’s a decision I make based on multiple encounters with an author’s work.

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Already Author Decision Interest Multiple Reader Translate

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

Once I looked into it, I was taken aback to learn that pretty much nothing by Joao Gilberto Noll was available in English translation.
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Aback Available Determined Injustice Looked Nothing Pretty Taken
The transcendent aspect of the psychedelic experience is totally absent.
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Absent Aspect Experience Psychedelic Totally Transcendent
The main reason I decided to study Latin American literature was because I’d gotten somewhat bored by the American fiction I was reading. I am not drawn to a specific style or aesthetic.
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Bored Country Decided Latin Literature Main Reading Reason Thinking
Unless you count the political backdrop, which in any case is a familiar one to many international readers
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Backdrop Count Familiar International Political Reader Thinking Unless
With My Dog-Eyes by Hilda Hilst got more exposure and reached far more readers than I ever expected.
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Expected Exposure Far House Latin Reached Reader Risk
So likewise in João Gilberto Noll, readers shouldn’t expect samba and Carnival and football. The Brazilian national identity is not one of his primary concerns.
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Carnival Concern Football Identify Likewise National Noll Primary Reader Samba
Reading across three languages is a way for me to diversify my intake as a reader, not to tunnel into certain categories or demographics.
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Across Category Demographic Diversity Intake Language Reader Reading Tunnel
I am surprised by the word psychedelic. João Gilberto Noll does not accept realism in a straightforward way, but I am more inclined to call Quiet Creature a realist text than I am to call it a psychedelic one.
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Accept Psychedelic Quiet Realist Straightforward Surprise Way Word
Dreamlike sequencing is perhaps one of João Gilberto Noll’s most remarkable triumphs in Quiet Creature on the Corner.
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Creature Dreamlike Most Mystery Quiet Quite Remarkable Sequencing Thinking
I only translate authors whose work already interests me as a reader, and that’s a decision I make based on multiple encounters with an author’s work.
ADAM MORRIS

Already Author Decision Interest Multiple Reader Translate
Some critics have commented that understanding the specific Brazilian political context of the novel is helpful for reading Quiet Creature. This may be true, but it’s not prerequisite for understanding it.
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Context Critic Helpful Novel Political Prerequisite True Understanding
An easy example would be the Portuguese escuridão:
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Country Escuridao Example
English offers both obscurity and dark or darkness, and some translators will tell you the Latinate word is generally reserved for poetic and figurative expressions, while the Germanic word is used for colloquial and idiomatic use.
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Both Darkness English Idiomatic Obscurity Offer Reserved Translator Use
I am not one of those translators who think that working closely with the writer will yield the best translation.
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Best Closely Think Thinking Translation Translator Working Writer Yield
The authors I prefer are all very different and are not limited to certain genres or even certain time periods.
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Author Certain Different Genre Limited Period Prefer
I realized I had some cultural capital to spend, and I wanted to use it to introduce another author who might be considered a risk by conventional publishers. Michael Noll was at the top of my list.
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Author Capital Considered Cultural Introduce List Outset Realized Spend Top

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