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Strength and power in fiction is being able to resist these intoxicating voices, recognizing that they are the signatures of other writers and not one’s own.

Adam Morris

I am surprised by the word psychedelic. João Gilberto Noll does not accept realism in a straightforward way, but I am more inclined to call Quiet Creature a realist text than I am to call it a psychedelic one.
ADAM MORRIS

Accept Psychedelic Quiet Realist Straightforward Surprise Way Word
This makes his writing very pleasing to read: João Gilberto Noll pays attention to detail, but only to certain details. And it’s never easy to foresee which details will send the narrator or the plot in an unsuspected direction.
ADAM MORRIS

Attention Easy Make Pleasing Read Writing
Some critics have commented that understanding the specific Brazilian political context of the novel is helpful for reading Quiet Creature. This may be true, but it’s not prerequisite for understanding it.
ADAM MORRIS

Context Critic Helpful Novel Political Prerequisite True Understanding
One that actually relates to all Latin American literature: that is, not every author is interested in being a representative of his or her national culture on the global stage.
ADAM MORRIS

Actually Author Country Culture Every Interested Literature Relate Represent
Once I looked into it, I was taken aback to learn that pretty much nothing by Joao Gilberto Noll was available in English translation.
ADAM MORRIS

Aback Available Determined Injustice Looked Nothing Pretty Taken
This neglect of a very important Brazilian writer is, in my view, the result of Brazil’s relative isolation from what metropolitan tastemakers.
ADAM MORRIS

Important Isolation Neglect Relative Result Writer Writing
I primarily write nonfiction. Research, reflection, and spending time with ideas are important to me. So, this is how I spend most of my time writing – in thought.
ADAM MORRIS

Important Nonfiction Primarily Reflection Research Spending Writing
And these are universal relational matters, not necessarily particular to any country.
ADAM MORRIS

Country Matter Necessarily Particular Relational Universal
The transcendent aspect of the psychedelic experience is totally absent.
ADAM MORRIS

Absent Aspect Experience Psychedelic Totally Transcendent
The Argentine literary tradition was believed by many, including many Argentines, to be concerned with a national imaginary in which the gauchos and the pampas and the tango were fundamental tropes.
ADAM MORRIS

Concerned Country Fundamental Literary National Tango Tradition Trope
Strength and power in fiction is being able to resist these intoxicating voices, recognizing that they are the signatures of other writers and not one’s own.
ADAM MORRIS

Fiction Intoxicating Own Power Progress Recognizing Resist Signature Strength Voice Writer
So likewise in João Gilberto Noll, readers shouldn’t expect samba and Carnival and football. The Brazilian national identity is not one of his primary concerns.
ADAM MORRIS

Carnival Concern Football Identify Likewise National Noll Primary Reader Samba
Jorge Luis Borges was lamenting a variety of Orientalism that was used to measure the alleged authenticity of Argentine and Latin American writers in the midcentury.
ADAM MORRIS

Alleged Authenticity Lamenting Latin Measure Tradition Variety
With My Dog-Eyes by Hilda Hilst got more exposure and reached far more readers than I ever expected.
ADAM MORRIS

Expected Exposure Far House Latin Reached Reader Risk
English can be tricky because there are so many false cognates, but sometimes, as long the idea conveyed is not wrong, these false cognates can themselves offer synonyms or lead to a better alternative word or phrase in translation.
ADAM MORRIS

Alternative Cognate Conveyed English False Idea Long Sometimes Tricky
Borges, in part to legitimize his own Europhilia, correctly pointed out that expecting writers to engage with these romantic nationalist tropes was arbitrary and limiting, a genre that was demonstrative of its own artificiality.
ADAM MORRIS

Artificially Borge Correctly Country Demonstrative Engage Expecting Legitimize Past

Strength and power in fiction is being able to resist these intoxicating voices, recognizing that they are the signatures of other writers and not one’s own.

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Strength and power in fiction is being able to resist these intoxicating voices, recognizing that they are the signatures of other writers and not one’s own.

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Popular Authors

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