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When I think about literature, I think about it in the three languages I read easily – English, Spanish, and Portuguese.

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I am surprised by the word psychedelic. João Gilberto Noll does not accept realism in a straightforward way, but I am more inclined to call Quiet Creature a realist text than I am to call it a psychedelic one.
ADAM MORRIS

Accept Psychedelic Quiet Realist Straightforward Surprise Way Word
Borges, in part to legitimize his own Europhilia, correctly pointed out that expecting writers to engage with these romantic nationalist tropes was arbitrary and limiting, a genre that was demonstrative of its own artificiality.
ADAM MORRIS

Artificially Borge Correctly Country Demonstrative Engage Expecting Legitimize Past
I don’t think there’s anything that I would call essentially Brazilian in João Gilberto Noll work. In that regard, it translates very well to a cosmopolitan audience.
ADAM MORRIS

Anything Audience Cosmopolitan Essentially Noll Regard Think Translate Work
Still, I considered it a tremendous injustice that Noll had not been more widely translated and was determined to rectify it.
ADAM MORRIS

Considered Determined Injustice Noll Rectify Translated Tremendous Widely
With My Dog-Eyes by Hilda Hilst got more exposure and reached far more readers than I ever expected.
ADAM MORRIS

Expected Exposure Far House Latin Reached Reader Risk
So likewise in João Gilberto Noll, readers shouldn’t expect samba and Carnival and football. The Brazilian national identity is not one of his primary concerns.
ADAM MORRIS

Carnival Concern Football Identify Likewise National Noll Primary Reader Samba
I primarily write nonfiction. Research, reflection, and spending time with ideas are important to me. So, this is how I spend most of my time writing – in thought.
ADAM MORRIS

Important Nonfiction Primarily Reflection Research Spending Writing
Jorge Luis Borges had the soapbox and the authority to complain about this myopic understanding of the duty of Latin American writers
ADAM MORRIS

Authority Complain Football Latin Myopic People Soapbox Understanding Unique Writer
I am not one of those translators who think that working closely with the writer will yield the best translation.
ADAM MORRIS

Best Closely Think Thinking Translation Translator Working Writer Yield
Reading across three languages is a way for me to diversify my intake as a reader, not to tunnel into certain categories or demographics.
ADAM MORRIS

Across Category Demographic Diversity Intake Language Reader Reading Tunnel
The Brazilian national identity is not one of João Gilberto Noll primary concerns. This does not mean social critique is absent: race, gender, and class relations are considered in Quiet Creature.
ADAM MORRIS

Concern Country Identity Mean National Primary Reading
Strength and power in fiction is being able to resist these intoxicating voices, recognizing that they are the signatures of other writers and not one’s own.
ADAM MORRIS

Fiction Intoxicating Own Power Progress Recognizing Resist Signature Strength Voice Writer
One of my methods for developing my own voice in fiction, a process I am taking very slowly and deliberately, is through these very intense encounters with certain writers.
ADAM MORRIS

Author Encounter Fiction Inflected Published Reading Translating Work Writer
I only translate authors whose work already interests me as a reader, and that’s a decision I make based on multiple encounters with an author’s work.
ADAM MORRIS

Already Author Decision Interest Multiple Reader Translate
Once I looked into it, I was taken aback to learn that pretty much nothing by Joao Gilberto Noll was available in English translation.
ADAM MORRIS

Aback Available Determined Injustice Looked Nothing Pretty Taken
Some critics have commented that understanding the specific Brazilian political context of the novel is helpful for reading Quiet Creature. This may be true, but it’s not prerequisite for understanding it.
ADAM MORRIS

Context Critic Helpful Novel Political Prerequisite True Understanding

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