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Reading across three languages is a way for me to diversify my intake as a reader, not to tunnel into certain categories or demographics.

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Across Category Demographic Diversity Intake Language Reader Reading Tunnel

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

Unless you count the political backdrop, which in any case is a familiar one to many international readers
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Backdrop Count Familiar International Political Reader Thinking Unless
So likewise in João Gilberto Noll, readers shouldn’t expect samba and Carnival and football. The Brazilian national identity is not one of his primary concerns.
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Carnival Concern Football Identify Likewise National Noll Primary Reader Samba
Strength and power in fiction is being able to resist these intoxicating voices, recognizing that they are the signatures of other writers and not one’s own.
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Fiction Intoxicating Own Power Progress Recognizing Resist Signature Strength Voice Writer
If João Gilberto Noll were writing in French or German or even Russian, it’s likely he’d be more broadly translated.
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Broadly Country Likely Noll People Translated Writing
I have a few minor rules for myself but I break them all the time. For example, when translating from Romance languages to English, there is often a choice between a Latinate cognate and a Germanic equivalent.
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Break Choices Dark Language Minor Myself Romance Rule Time Translating
Jorge Luis Borges was lamenting a variety of Orientalism that was used to measure the alleged authenticity of Argentine and Latin American writers in the midcentury.
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Alleged Authenticity Lamenting Latin Measure Tradition Variety
One that actually relates to all Latin American literature: that is, not every author is interested in being a representative of his or her national culture on the global stage.
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Actually Author Country Culture Every Interested Literature Relate Represent
One of my methods for developing my own voice in fiction, a process I am taking very slowly and deliberately, is through these very intense encounters with certain writers.
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Author Encounter Fiction Inflected Published Reading Translating Work Writer
Reading across three languages is a way for me to diversify my intake as a reader, not to tunnel into certain categories or demographics.
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Across Category Demographic Diversity Intake Language Reader Reading Tunnel
Still, I considered it a tremendous injustice that Noll had not been more widely translated and was determined to rectify it.
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Considered Determined Injustice Noll Rectify Translated Tremendous Widely
I am surprised by the word psychedelic. João Gilberto Noll does not accept realism in a straightforward way, but I am more inclined to call Quiet Creature a realist text than I am to call it a psychedelic one.
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Accept Psychedelic Quiet Realist Straightforward Surprise Way Word
And these are universal relational matters, not necessarily particular to any country.
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Country Matter Necessarily Particular Relational Universal
English offers both obscurity and dark or darkness, and some translators will tell you the Latinate word is generally reserved for poetic and figurative expressions, while the Germanic word is used for colloquial and idiomatic use.
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Both Darkness English Idiomatic Obscurity Offer Reserved Translator Use
I am not one of those translators who think that working closely with the writer will yield the best translation.
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Best Closely Think Thinking Translation Translator Working Writer Yield
An easy example would be the Portuguese escuridão:
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Country Escuridao Example
The Argentine literary tradition was believed by many, including many Argentines, to be concerned with a national imaginary in which the gauchos and the pampas and the tango were fundamental tropes.
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Concerned Country Fundamental Literary National Tango Tradition Trope

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