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The fiction I’ve written and published is certainly inflected by the work of authors I was reading or translating at the time.

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

Strength and power in fiction is being able to resist these intoxicating voices, recognizing that they are the signatures of other writers and not one’s own.
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Fiction Intoxicating Own Power Progress Recognizing Resist Signature Strength Voice Writer
When I think about literature, I think about it in the three languages I read easily – English, Spanish, and Portuguese.
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Country English Language Literature Portuguese Spanish Think Three
English offers both obscurity and dark or darkness, and some translators will tell you the Latinate word is generally reserved for poetic and figurative expressions, while the Germanic word is used for colloquial and idiomatic use.
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Both Darkness English Idiomatic Obscurity Offer Reserved Translator Use
Which sometimes forecloses their unique modernism and experience of modernization in favor of a mythic past or an artificially constructed ideal national subject.
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Constructed Experience Modernization Mythic National Subject Unique
With My Dog-Eyes by Hilda Hilst got more exposure and reached far more readers than I ever expected.
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Expected Exposure Far House Latin Reached Reader Risk
I only translate authors whose work already interests me as a reader, and that’s a decision I make based on multiple encounters with an author’s work.
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Already Author Decision Interest Multiple Reader Translate
Jorge Luis Borges was lamenting a variety of Orientalism that was used to measure the alleged authenticity of Argentine and Latin American writers in the midcentury.
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Alleged Authenticity Lamenting Latin Measure Tradition Variety
Jorge Luis Borges had the soapbox and the authority to complain about this myopic understanding of the duty of Latin American writers
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Authority Complain Football Latin Myopic People Soapbox Understanding Unique Writer
And these are universal relational matters, not necessarily particular to any country.
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Country Matter Necessarily Particular Relational Universal
The fiction I’ve written and published is certainly inflected by the work of authors I was reading or translating at the time.
ADAM MORRIS

Author Certainly Fiction Inflected Intense Published Reading Reading. Time Translate Work
The main reason I decided to study Latin American literature was because I’d gotten somewhat bored by the American fiction I was reading. I am not drawn to a specific style or aesthetic.
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Bored Country Decided Latin Literature Main Reading Reason Thinking
I am not one of those translators who think that working closely with the writer will yield the best translation.
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Best Closely Think Thinking Translation Translator Working Writer Yield
Borges, in part to legitimize his own Europhilia, correctly pointed out that expecting writers to engage with these romantic nationalist tropes was arbitrary and limiting, a genre that was demonstrative of its own artificiality.
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Artificially Borge Correctly Country Demonstrative Engage Expecting Legitimize Past
An easy example would be the Portuguese escuridão:
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Country Escuridao Example
Unless you count the political backdrop, which in any case is a familiar one to many international readers
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Backdrop Count Familiar International Political Reader Thinking Unless
This makes his writing very pleasing to read: João Gilberto Noll pays attention to detail, but only to certain details. And it’s never easy to foresee which details will send the narrator or the plot in an unsuspected direction.
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Attention Easy Make Pleasing Read Writing

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