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The poetry of Adam Zagajewski provides the beginning of an answer to this question.

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Adam Zagajewski Answer Beginning Poetry Provide Question

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Teaching and writing have tended to proceed on parallel lines, but there have been times when there was indeed carry-over from the classroom to the creative work.
ADAM KIRSCH

Classroom Creative Line Parallel Process Teaching Tended Time Writing
The traffic, however, was usually the other way.
ADAM KIRSCH

However Other Traffic Usually Way
The poetry of Adam Zagajewski provides the beginning of an answer to this question.
ADAM KIRSCH

Adam Zagajewski Answer Beginning Poetry Provide Question
So how can a poet-an intelligent, serious poet-write mystical verse now?
ADAM KIRSCH

Answer Intelligent Mystical Poet Serious Verse Writing
The unadmitted reason why traditional readers are hostile to e-books is that we still hold the superstitious idea that a book is like a soul, and that every soul should have its own body.
ADAM KIRSCH

Body Book Hostile Idea Reader Soul Superstitious Traditional Unadmitted
With luck, a writer capable of producing both Slouching Towards Kalamazoo and The Blood of the Lamb will not remain unappreciated for long.
ADAM KIRSCH

Blood Both Capable Kalamazoo Lamb Long Luck Producing Slouching Towards Unappreciated Writer
In the 1970s, for example, I found myself learning to relish the poetry of Andrew Marvell and Sir Thomas Wyatt, and getting a handle on poetry of plainer speech than I had dwelt with heretofore.
ADAM KIRSCH

Appreciation Dwelt Example Learning Myself People Poetry Reading Relish Speech Teaching
My teaching was animated by what I was reading and being excited by as a poet.
ADAM KIRSCH

Animated Being Excited Poet Reading Teaching
Once a poet calls his myth a myth, he prevents the reader from treating it as a reality; we use the word “myth” only for stories we ourselves cannot believe.
ADAM KIRSCH

Believe Mystical Myth Now Poet Poetry Prevent Reality Stories Verse
Which led me into a new appreciation of middle [William Butler ] Yeats, of the short three-beat line and forward-driving syntax, and that paid in, in turn to a poem like Casualty in Field Work.
ADAM KIRSCH

Appreciation Beat Causally Field Forward Middle New Paid Short Syntax Work

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