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The late Nadine Gordimer in South Africa, for example, had a wonderful ability to get her country’s injustices and contradictions down on paper.

Adam Hochschild

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All over Budapest, statues have been replaced, museum exhibits have been redone, to turn ethnic Hungarians, not Jews, into the prime victims of the Germans during World War II.
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Leopold’s Congo is but one of those silences of history.
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Compared with how we’ve ducked it in the United States, Canada should be really proud of how you have welcomed a significant number of refugees – far more, in fact, than we Americans have, even though our population is vastly larger.
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You know, by 1936, Hitler was already talking very loudly about his desire to expand to the east.
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It sure is a rising tide, and we have a particularly nasty exemplar of it in the U.S., in Donald Trump.
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I can certainly sympathize with writers who don’t want to put themselves or their loved ones at risk.
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Speaking of Germany in 1933, I don’t think you can remove yourself from politics when, in so many countries – the United States, Poland, Hungary, and many others
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The late Nadine Gordimer in South Africa, for example, had a wonderful ability to get her country’s injustices and contradictions down on paper.
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Because they wanted a sympathetic ally in power. So I think it really was the opening act of World War II.
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Even [Ernst] Hemingway, perhaps the most intentionally non-political of American writers, became passionately partisan during the Spanish Civil War.
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The Messerschmitt 109 fighter plane for example, the Stuka dive bomber, the 88 millimeter artillery piece, which could be used both for antiaircraft purposes and also shelling on the ground.
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Ditto for her countryman the great playwright Athol Fugard.
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A pioneer in this genre [ writing about the refugee crisis] : the book A Seventh Man, by the great John Berger, decades ago evoked the lives of migrant workers in Europe.
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