The basic human rhythm of petty malevolence, sordid moneygrubbing, and official violence, illuminated by occasional bursts of loyalty or desire or tenderness, will go on.
ADAM GOPNIKGoing to a restaurant is one of my keenest pleasures. Meeting someplace with old and new friends, ordering wine, eating food, surrounded by strangers
More Adam Gopnik Quotes
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We call disasters unimaginable, but all we do is imagine such things. […]
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That they chose the path of the mind suggests that there is on it something more worthwhile than a circuitous route to the good things that the good-looking get just by showing up
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Making an idea into an emotion.
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Someone once said that the joy is not in writing but in having written. I can’t say I find that to be true, though I understand the sentiment.
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For a first look at someone we may sleep with, or a last look at someone we love.
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The trick and the trap and the horror is not faith, Scott. I don’t think the trap and the horror is fanaticism.
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The special virtue of freedom is not that it makes you richer and more powerful but that it gives you more time to understand what it means to be alive.
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It was the grander French one: Why not kill yourself tonight? That the answers come to much the same thing in the end-easy does it
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What we eat is the one simplest way to declare who we are – the table reflects our values with a clarity that few other theaters of human behaviour posses.
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Yet in truth the big question Camus asked was never the Anglo-American liberal one: How can we make the world a little bit better tomorrow?
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The relentless note of incipient hysteria, the invitation to panic, the ungrounded scenarios
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The first visitor has an easier time, but I think the second visitor sees more.
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That, you could conclude mordantly, is the real soundtrack of our time: the amplification of the self-evident toward the creation of paralyzing, preëmptive paranoia.
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I don’t think there’s any question journalists have become targets, but then I think that – that anyone who tries to practice liberty becomes a target of fanatics.
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You can stand up and tell a story that is made entirely, embarrassingly, of “I’s,” and a listening audience somehow turns each “I” into a “me.”
ADAM GOPNIK






