Lose your schematic conventions by finding some surprising symbol or shape in the welter of shades, and draw that.
ADAM GOPNIKLose your schematic conventions by finding some surprising symbol or shape in the welter of shades, and draw that.
ADAM GOPNIKThat, you could conclude mordantly, is the real soundtrack of our time: the amplification of the self-evident toward the creation of paralyzing, preëmptive paranoia.
ADAM GOPNIKWriting is the process of finding something to distract you from writing, and of all the helpful distractions – adultery, alcohol and acedia, all of which aided our writing fathers – none can equal the Internet.
ADAM GOPNIKLeafing through Forbes or Fortune [magazine]s is like reading the operating manual of a strangely sanctimonious pirate ship
ADAM GOPNIKNew York has always been a place where it is possible to have memories without the experience that conventionally precede them.
ADAM GOPNIKYou can’t have a decent food culture without a decent coffee culture: the two things grow up together.
ADAM GOPNIKIn an age of malice and bad faith on many sides, I reread White or Thurber or Mitchell and am reminded again that good writing is done, as I said in my elegy for Salinger, with an active eye and ear and an ardent heart, and in no other way.
ADAM GOPNIKThis alchemy, of self-absorption into shared experience, is the alchemy of all literature.
ADAM GOPNIKThe reality is that the British monarchy, for good or ill, is a modern political institution – perhaps the first modern political institution.
ADAM GOPNIKA fact about photography: we can look at people’s faces in photographs with an intensity and intimacy that in life we normally only reserve for extreme emotional states
ADAM GOPNIKThe light in your eyes shines because of the longing in your soul. And the longing in your souls rises because you are looking for the lost half minute.
ADAM GOPNIKThe scale and the brutality of our prisons are the moral scandal of American life.
ADAM GOPNIKDrawing is one of those things which sit on the uneasy bending line between instinct and instruction, where seeming perversity eventually trumps pleasure as the card players and the kibitzers interact and new thrills are sought.
ADAM GOPNIKThe French believe that all errors are distant, someone else’s fault. Americans believe that there is no distance, no difference, and therefore that there are no errors
ADAM GOPNIKSomeone once said that the joy is not in writing but in having written. I can’t say I find that to be true, though I understand the sentiment.
ADAM GOPNIKThe past is so often unknowable not because it is befogged now but because it was befogged then, too, back when it was still the present.
ADAM GOPNIK