Art without accomplishment becomes a form of faith, sustained more by the intensity of its common practice than by the pleasure it gives to its adherents in private.
ADAM GOPNIKIn an age of malice and bad faith on many sides, I reread White or Thurber or Mitchell and am reminded again that good writing is done, as I said in my elegy for Salinger, with an active eye and ear and an ardent heart, and in no other way.
More Adam Gopnik Quotes
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Drawing is one of those things which sit on the uneasy bending line between instinct and instruction, where seeming perversity eventually trumps pleasure as the card players and the kibitzers interact and new thrills are sought.
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That, you could conclude mordantly, is the real soundtrack of our time: the amplification of the self-evident toward the creation of paralyzing, preëmptive paranoia.
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If we are willing to act violently in pursuit of a peripheral interest, everyone can be certain that, when a vital interest is at stake, we will be still more violent.
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Making an idea into an emotion.
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You can’t have a decent food culture without a decent coffee culture: the two things grow up together.
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For a first look at someone we may sleep with, or a last look at someone we love.
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Of all the unexpected things in contemporary literature, this is among the oddest: that kids have an inordinate appetite for very long, very tricky, very strange books about places that don’t exist…
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A fact about photography: we can look at people’s faces in photographs with an intensity and intimacy that in life we normally only reserve for extreme emotional states
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The grace of capitalism is to make wants feel like hopes, so that material objects and stuff can feel like the possibility of something heroic and civic.
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Good editorial writing has less to do with winning an argument, since the other side is mostly not listening, than with telling the guys on your side how they ought to sound when they’re arguing.
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It was the grander French one: Why not kill yourself tonight? That the answers come to much the same thing in the end-easy does it
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I try to turn a written thing, when I’m in trouble with it, into a spoken thing: I start imagining what I would say to someone if I were trying to tell the story or make the argument.
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The past is so often unknowable not because it is befogged now but because it was befogged then, too, back when it was still the present.
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The scale and the brutality of our prisons are the moral scandal of American life.
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Nothing in a graduate degree in art history prepares you for the eloquence of the eraser.
ADAM GOPNIK