For all the years I’d spent talking about pictures, the truth was that I had no idea how to draw or what it felt like to do it. I
ADAM GOPNIKIf you’re being attacked from all sides, it’s possible you’re doing something right; it’s also possible that you are doing everything wrong.
More Adam Gopnik Quotes
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The scale and the brutality of our prisons are the moral scandal of American life.
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Music is a current of hard choices made to seem easy by the mind.
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A fact about photography: we can look at people’s faces in photographs with an intensity and intimacy that in life we normally only reserve for extreme emotional states
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I think that we’re always drawn – particularly sophisticated people – are always drawn to the idea of simplicity.
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If we had been there listening, we still might not have been able to determine exactly what Stanton said. All we know for sure is that everyone was weeping, and the room was full.
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Would mistrust a poetry critic who couldn’t produce a rhyming couplet. Could one write about art without knowing how to draw?
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Yet in truth the big question Camus asked was never the Anglo-American liberal one: How can we make the world a little bit better tomorrow?
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Lose your schematic conventions by finding some surprising symbol or shape in the welter of shades, and draw that.
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The past is so often unknowable not because it is befogged now but because it was befogged then, too, back when it was still the present.
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Someone once said that the joy is not in writing but in having written. I can’t say I find that to be true, though I understand the sentiment.
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All tastes have the quality of being in some way artificial and invented. The secret of life is to have enough detachment from your tastes and your values to see that they are a little bit absurd.
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Americans also seem to believe that the monarchy is a kind of mediaeval hangover, encumbered by premodern notions of decorum
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Big writers become a kind of shared climate.
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The French believe that all errors are distant, someone else’s fault. Americans believe that there is no distance, no difference, and therefore that there are no errors
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Something is missing, we think. And so we long for the thing we’ve missed and can’t name, and out of that wanting – well, everything else rises, good and bad.
ADAM GOPNIK