We call disasters unimaginable, but all we do is imagine such things. […]
ADAM GOPNIKThe basic human rhythm of petty malevolence, sordid moneygrubbing, and official violence, illuminated by occasional bursts of loyalty or desire or tenderness, will go on.
More Adam Gopnik Quotes
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The trick and the trap and the horror is not faith, Scott. I don’t think the trap and the horror is fanaticism.
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Yet in truth the big question Camus asked was never the Anglo-American liberal one: How can we make the world a little bit better tomorrow?
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Women choose Alice [in Wonderland] because every woman sees herself as the only reasonable creature among crazy people who think they are disinherited monarchs
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New York has always been a place where it is possible to have memories without the experience that conventionally precede them.
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American long for a closed society in which everything can be bought, where laborers are either hidden away or dressed up as nonhumans, so as not to be disconcerting. This place is called Disney World.
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The reality is that the British monarchy, for good or ill, is a modern political institution – perhaps the first modern political institution.
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In an age of malice and bad faith on many sides, I reread White or Thurber or Mitchell and am reminded again that good writing is done, as I said in my elegy for Salinger, with an active eye and ear and an ardent heart, and in no other way.
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Frauds master our minds; magicians, like poets and lovers, engage them in a permanent maze of possibilities.
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Often the block [in writing] comes from the wall of words that keep out the simplicity of sense.
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Going to a restaurant is one of my keenest pleasures. Meeting someplace with old and new friends, ordering wine, eating food, surrounded by strangers
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The French believe that all errors are distant, someone else’s fault. Americans believe that there is no distance, no difference, and therefore that there are no errors
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There are two kinds of travelers. There is the kind who goes to see what there is to see, and the kind who has an image in his head and goes out to accomplish it.
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Lose your schematic conventions by finding some surprising symbol or shape in the welter of shades, and draw that.
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Writing doesn’t come easily to anyone, I think, certainly not to me. But pressure and practice does lend a certain fluency
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Something is missing, we think. And so we long for the thing we’ve missed and can’t name, and out of that wanting – well, everything else rises, good and bad.
ADAM GOPNIK