What do you think leads us to the windows in the first place?
ADAM GOPNIKThe sin of capitalism, perhaps, is to make wants feel like needs, to give to simple silly stuff the urgency of near-physical necessity: I must have it.
More Adam Gopnik Quotes
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Whatever sense of professional competence we feel in adult life is less the sum of accomplishment than the absence of impossibility:
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Going to a restaurant is one of my keenest pleasures. Meeting someplace with old and new friends, ordering wine, eating food, surrounded by strangers
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I think I’m more intensely opinionated when I speak; more agreeably balanced when I write.
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Paris, on the other hand, looked exactly as it was supposed to look. It wore its heart on its sleeve, and the strange thing was that the heart it wore so openly was in other ways so closed-mysterious, uninviting.
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In the New Yorker library, I have long been shelved between Nadine Gordimer and Brendan Gill; an eerie little space nestled between high seriousness of purpose and legendary lightness of touch.
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If we are willing to act violently in pursuit of a peripheral interest, everyone can be certain that, when a vital interest is at stake, we will be still more violent.
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Often the block [in writing] comes from the wall of words that keep out the simplicity of sense.
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I think is the core of what it means to live a civilised life.
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The grace of capitalism is to make wants feel like hopes, so that material objects and stuff can feel like the possibility of something heroic and civic.
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Writing is the process of finding something to distract you from writing, and of all the helpful distractions – adultery, alcohol and acedia, all of which aided our writing fathers – none can equal the Internet.
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Of having seen something large and having found the right words to say it small, small enough to enter an individual mind so that the strong ideas of what the words are saying sound like sweet reason.
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Someone once said that the joy is not in writing but in having written. I can’t say I find that to be true, though I understand the sentiment.
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Something is missing, we think. And so we long for the thing we’ve missed and can’t name, and out of that wanting – well, everything else rises, good and bad.
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Frauds master our minds; magicians, like poets and lovers, engage them in a permanent maze of possibilities.
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If you’re being attacked from all sides, it’s possible you’re doing something right; it’s also possible that you are doing everything wrong.
ADAM GOPNIK