For all the years I’d spent talking about pictures, the truth was that I had no idea how to draw or what it felt like to do it. I
ADAM GOPNIKYou learn to sing with, not argue at, your possible readers.
More Adam Gopnik Quotes
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Drawing need not be the bones of art, but skill must always be the skeleton of accomplishment.
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Good editorial writing has less to do with winning an argument, since the other side is mostly not listening, than with telling the guys on your side how they ought to sound when they’re arguing.
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I try to turn a written thing, when I’m in trouble with it, into a spoken thing: I start imagining what I would say to someone if I were trying to tell the story or make the argument.
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I still think the best classic meal in New York is a coffee-shop breakfast – you sort of can’t skip it.
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Drawing is one of those things which sit on the uneasy bending line between instinct and instruction, where seeming perversity eventually trumps pleasure as the card players and the kibitzers interact and new thrills are sought.
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Whatever sense of professional competence we feel in adult life is less the sum of accomplishment than the absence of impossibility:
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I think if journalists start doing that then they won’t be practicing journalism. If satirists start doing that then they won’t be practicing satire.
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There are two kinds of travelers. There is the kind who goes to see what there is to see, and the kind who has an image in his head and goes out to accomplish it.
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Wit and puns aren’t just décor in the mind; they’re essential signs that the mind knows it’s on, recognizes its own software, can spot the bugs in its own program.
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You learn to sing with, not argue at, your possible readers.
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The overwhelming and underlying desire for something truly terrible to happen so that you could have something really hot to talk about – was still startling.
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This alchemy, of self-absorption into shared experience, is the alchemy of all literature.
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What we eat is the one simplest way to declare who we are – the table reflects our values with a clarity that few other theaters of human behaviour posses.
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Daniel Levitin takes the most sophisticated ideas that exist about the brain and mind, applies them to the most emotionally direct art we have, our songs, and makes beautiful music of the two together.
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I am a guilty party here – to take, or get, undue credit for domestic virtue, when in truth cooking is the most painless and, in its ways, ostentatious of the domestic chores.
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