Merely that you start off with ideas buzzing around in your head, and then you try to give them the simpler, more graceful shape, of a feeling that a reader might share.
ADAM GOPNIKLose your schematic conventions by finding some surprising symbol or shape in the welter of shades, and draw that.
More Adam Gopnik Quotes
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Paris, on the other hand, looked exactly as it was supposed to look. It wore its heart on its sleeve, and the strange thing was that the heart it wore so openly was in other ways so closed-mysterious, uninviting.
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Nothing in a graduate degree in art history prepares you for the eloquence of the eraser.
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Dinner with water is dinner for prisoners
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Love, like light, is a thing that is enacted better than defined: we know it afterward by the traces it leaves on paper.
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Cooking is the showy side of domesticity.
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Men choose Hamlet because every man sees himself as a disinherited monarch. .
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I think I’m more intensely opinionated when I speak; more agreeably balanced when I write.
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It was the grander French one: Why not kill yourself tonight? That the answers come to much the same thing in the end-easy does it
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Credibility’ is defined as the willingness to kill a lot of people now for a not very good cause to assure the world that we’ll kill a lot more people if we can find a better one.
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Good editorial writing has less to do with winning an argument, since the other side is mostly not listening, than with telling the guys on your side how they ought to sound when they’re arguing.
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In an age of malice and bad faith on many sides, I reread White or Thurber or Mitchell and am reminded again that good writing is done, as I said in my elegy for Salinger, with an active eye and ear and an ardent heart, and in no other way.
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Art without accomplishment becomes a form of faith, sustained more by the intensity of its common practice than by the pleasure it gives to its adherents in private.
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I still think the best classic meal in New York is a coffee-shop breakfast – you sort of can’t skip it.
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You can stand up and tell a story that is made entirely, embarrassingly, of “I’s,” and a listening audience somehow turns each “I” into a “me.”
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The sin of capitalism, perhaps, is to make wants feel like needs, to give to simple silly stuff the urgency of near-physical necessity: I must have it.
ADAM GOPNIK