American long for a closed society in which everything can be bought, where laborers are either hidden away or dressed up as nonhumans, so as not to be disconcerting. This place is called Disney World.
ADAM GOPNIKLose your schematic conventions by finding some surprising symbol or shape in the welter of shades, and draw that.
More Adam Gopnik Quotes
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Daniel Levitin takes the most sophisticated ideas that exist about the brain and mind, applies them to the most emotionally direct art we have, our songs, and makes beautiful music of the two together.
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Would mistrust a poetry critic who couldn’t produce a rhyming couplet. Could one write about art without knowing how to draw?
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Merely that you start off with ideas buzzing around in your head, and then you try to give them the simpler, more graceful shape, of a feeling that a reader might share.
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We don’t know that we’ve lost half a minute from our lives but we feel it somehow, we feel its absence.
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Of all the alchemies of human connection-sex and childbirth and marriage and friendship-the strangest is this:
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In the New Yorker library, I have long been shelved between Nadine Gordimer and Brendan Gill; an eerie little space nestled between high seriousness of purpose and legendary lightness of touch.
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Of having seen something large and having found the right words to say it small, small enough to enter an individual mind so that the strong ideas of what the words are saying sound like sweet reason.
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Men choose Hamlet because every man sees himself as a disinherited monarch. .
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The trick and the trap and the horror is not faith, Scott. I don’t think the trap and the horror is fanaticism.
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I think is the core of what it means to live a civilised life.
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I don’t miss the obligation to be opinionated, but I do regret the chance to share a joy.
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You can stand up and tell a story that is made entirely, embarrassingly, of “I’s,” and a listening audience somehow turns each “I” into a “me.”
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Good editorial writing has less to do with winning an argument, since the other side is mostly not listening, than with telling the guys on your side how they ought to sound when they’re arguing.
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I try to turn a written thing, when I’m in trouble with it, into a spoken thing: I start imagining what I would say to someone if I were trying to tell the story or make the argument.
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Credibility’ is defined as the willingness to kill a lot of people now for a not very good cause to assure the world that we’ll kill a lot more people if we can find a better one.
ADAM GOPNIK