You can stand up and tell a story that is made entirely, embarrassingly, of “I’s,” and a listening audience somehow turns each “I” into a “me.”
ADAM GOPNIKSomeone once said that the joy is not in writing but in having written. I can’t say I find that to be true, though I understand the sentiment.
More Adam Gopnik Quotes
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Tomorrow may be a bit better than today; and, after all, you have to have a little faith in people-doesn’t diminish the glamour that clings to the man who turned the question over and look at it, elegantly, upside down.
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You learn to sing with, not argue at, your possible readers.
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Of all the alchemies of human connection-sex and childbirth and marriage and friendship-the strangest is this:
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It’s really our relief at no longer having to do things we were never good at doing in the first place – relief at never again having to dissect a frog or memorize the periodic table.
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I think the worst thing we can do is to concede to fanaticism its devotion, say. Well, you have to understand, these people are really fanatics, so we should back down from them.
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I don’t miss the obligation to be opinionated, but I do regret the chance to share a joy.
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There are two kinds of travelers. There is the kind who goes to see what there is to see, and the kind who has an image in his head and goes out to accomplish it.
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Often the block [in writing] comes from the wall of words that keep out the simplicity of sense.
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I think that we’re always drawn – particularly sophisticated people – are always drawn to the idea of simplicity.
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Writing doesn’t come easily to anyone, I think, certainly not to me. But pressure and practice does lend a certain fluency
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For a first look at someone we may sleep with, or a last look at someone we love.
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Daniel Levitin takes the most sophisticated ideas that exist about the brain and mind, applies them to the most emotionally direct art we have, our songs, and makes beautiful music of the two together.
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We call disasters unimaginable, but all we do is imagine such things. […]
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The basic human rhythm of petty malevolence, sordid moneygrubbing, and official violence, illuminated by occasional bursts of loyalty or desire or tenderness, will go on.
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In an age of malice and bad faith on many sides, I reread White or Thurber or Mitchell and am reminded again that good writing is done, as I said in my elegy for Salinger, with an active eye and ear and an ardent heart, and in no other way.
ADAM GOPNIK