We don’t know that we’ve lost half a minute from our lives but we feel it somehow, we feel its absence.
ADAM GOPNIKFrauds master our minds; magicians, like poets and lovers, engage them in a permanent maze of possibilities.
More Adam Gopnik Quotes
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I think – the more sentences you write, the more sentences you have written, if that slightly Zen confection makes any sense.
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Something is missing, we think. And so we long for the thing we’ve missed and can’t name, and out of that wanting – well, everything else rises, good and bad.
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The overwhelming and underlying desire for something truly terrible to happen so that you could have something really hot to talk about – was still startling.
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All tastes have the quality of being in some way artificial and invented. The secret of life is to have enough detachment from your tastes and your values to see that they are a little bit absurd.
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Whatever sense of professional competence we feel in adult life is less the sum of accomplishment than the absence of impossibility:
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It was the grander French one: Why not kill yourself tonight? That the answers come to much the same thing in the end-easy does it
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The French believe that all errors are distant, someone else’s fault. Americans believe that there is no distance, no difference, and therefore that there are no errors
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A good analogy [Charlie Hebdo] in lots of ways is “South Park” – the hugely popular American cartoon show – and the things that the “South Park” creators have created, like “The Book Of Mormon,” the Broadway musical.
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If you’re being attacked from all sides, it’s possible you’re doing something right; it’s also possible that you are doing everything wrong.
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For me, the beauty of the blank page, or empty screen,staring up at nine thirty after two cups of coffee and a deep breath remains unique.
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The light in your eyes shines because of the longing in your soul. And the longing in your souls rises because you are looking for the lost half minute.
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Love, like light, is a thing that is enacted better than defined: we know it afterward by the traces it leaves on paper.
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Lose your schematic conventions by finding some surprising symbol or shape in the welter of shades, and draw that.
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The basic human rhythm of petty malevolence, sordid moneygrubbing, and official violence, illuminated by occasional bursts of loyalty or desire or tenderness, will go on.
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Americans also seem to believe that the monarchy is a kind of mediaeval hangover, encumbered by premodern notions of decorum
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