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The past is so often unknowable not because it is befogged now but because it was befogged then, too, back when it was still the present.

Adam Gopnik

A good analogy [Charlie Hebdo] in lots of ways is “South Park” – the hugely popular American cartoon show – and the things that the “South Park” creators have created, like “The Book Of Mormon,” the Broadway musical.
ADAM GOPNIK

Analogy Book Cartoon Charlie Hebdo Country Good Musical Popular South Park
We don’t know that we’ve lost half a minute from our lives but we feel it somehow, we feel its absence.
ADAM GOPNIK

Emotion Eye Feel Lost Minute Name Somehow Thinking
The relentless note of incipient hysteria, the invitation to panic, the ungrounded scenarios
ADAM GOPNIK

Fear Hysteria Incipient Invitation Note Real Relentless Scenarios Self Ungrounded
I try to turn a written thing, when I’m in trouble with it, into a spoken thing: I start imagining what I would say to someone if I were trying to tell the story or make the argument.
ADAM GOPNIK

Argument Imagination Spoken Stories Trouble Try Trying Written
I think that we’re always drawn – particularly sophisticated people – are always drawn to the idea of simplicity.
ADAM GOPNIK

Always Drawn Idea Particularly People Sophisticated Think Thinking
Drawing is one of those things which sit on the uneasy bending line between instinct and instruction, where seeming perversity eventually trumps pleasure as the card players and the kibitzers interact and new thrills are sought.
ADAM GOPNIK

Bending Drawing Instinct Instruction Player Risk Thing Those Uneasy
A fact about photography: we can look at people’s faces in photographs with an intensity and intimacy that in life we normally only reserve for extreme emotional states
ADAM GOPNIK

Emotional Fact Intensity Look People Photography Sleep
There are as many attitudes to cooking as there are people cooking, of course, but I do think that cooking guys tend
ADAM GOPNIK

Attitude Cooking Course Decent Party People Professional Simplicity Thinking
We’ve had mass shootings in the United States in the part of violent antiabortion protesters, in the part of violent pro-ISIS militants.
ADAM GOPNIK

Antiabortion Country Fanaticism Horror Isis Mass Shootings Militant Part Protester Thinking Violent
You learn to sing with, not argue at, your possible readers.
ADAM GOPNIK

Argue Behave Leran Musi Patience Possible Reader Sing Singing With
Writing well isn’t just a question of winsome expression, but of having found something big and true to say and having found the right words to say it in
ADAM GOPNIK

Expression Found Question Say Something Strong Sweet True Winsome Word Writing
In an age of malice and bad faith on many sides, I reread White or Thurber or Mitchell and am reminded again that good writing is done, as I said in my elegy for Salinger, with an active eye and ear and an ardent heart, and in no other way.
ADAM GOPNIK

Age Bad Country Eye Faith Good Heart Malice People Reread Thurber Working Writing
Merely that you start off with ideas buzzing around in your head, and then you try to give them the simpler, more graceful shape, of a feeling that a reader might share.
ADAM GOPNIK

Buzz Buzzing Feeling Give Giving Head Idea Merely Start Try
All tastes have the quality of being in some way artificial and invented. The secret of life is to have enough detachment from your tastes and your values to see that they are a little bit absurd.
ADAM GOPNIK

Artificial Good Invented Little Quality Secret Taste
That, you could conclude mordantly, is the real soundtrack of our time: the amplification of the self-evident toward the creation of paralyzing, preëmptive paranoia.
ADAM GOPNIK

Amplification Creation Evident Mordantly Paralyzing Paranoia Preëmptive Real Self Soundtrack Towards
Writing is the process of finding something to distract you from writing, and of all the helpful distractions – adultery, alcohol and acedia, all of which aided our writing fathers – none can equal the Internet.
ADAM GOPNIK

Alcohol Distract Father Finding Helpful Process Something Writing

The past is so often unknowable not because it is befogged now but because it was befogged then, too, back when it was still the present.

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The past is so often unknowable not because it is befogged now but because it was befogged then, too, back when it was still the present.

Related Topics

Popular Authors

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