A good analogy [Charlie Hebdo] in lots of ways is “South Park” – the hugely popular American cartoon show – and the things that the “South Park” creators have created, like “The Book Of Mormon,” the Broadway musical.
ADAM GOPNIKThe World Series is played in my doubtless too-nostalgic imagination in some kind of autumn afternoon light, and seeing it exclusively in the bitter chill of midnight breaks the spell of even the best of games.
More Adam Gopnik Quotes
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The World Series is played in my doubtless too-nostalgic imagination in some kind of autumn afternoon light, and seeing it exclusively in the bitter chill of midnight breaks the spell of even the best of games.
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Of all the unexpected things in contemporary literature, this is among the oddest: that kids have an inordinate appetite for very long, very tricky, very strange books about places that don’t exist…
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I think the worst thing we can do is to concede to fanaticism its devotion, say. Well, you have to understand, these people are really fanatics, so we should back down from them.
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The relentless note of incipient hysteria, the invitation to panic, the ungrounded scenarios
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Protein was the most valued ingredient 250 years ago: It was the rarest thing. Now the rarest thing we have is time: time to cook and time to eat.
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I don’t think there’s any question journalists have become targets, but then I think that – that anyone who tries to practice liberty becomes a target of fanatics.
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The scale and the brutality of our prisons are the moral scandal of American life.
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I think is the core of what it means to live a civilised life.
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American long for a closed society in which everything can be bought, where laborers are either hidden away or dressed up as nonhumans, so as not to be disconcerting. This place is called Disney World.
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Love, like light, is a thing that is enacted better than defined: we know it afterward by the traces it leaves on paper.
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The special virtue of freedom is not that it makes you richer and more powerful but that it gives you more time to understand what it means to be alive.
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That, you could conclude mordantly, is the real soundtrack of our time: the amplification of the self-evident toward the creation of paralyzing, preëmptive paranoia.
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I think I’m more intensely opinionated when I speak; more agreeably balanced when I write.
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Paris, on the other hand, looked exactly as it was supposed to look. It wore its heart on its sleeve, and the strange thing was that the heart it wore so openly was in other ways so closed-mysterious, uninviting.
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Often the block [in writing] comes from the wall of words that keep out the simplicity of sense.
ADAM GOPNIK